A pioneer in the field of radio drama, Manhattan-born Irving Reis was the creator and supervisor of CBS' Columbia Workshop, which signed on in July of 1936 and remained on the air for ten years. Among the many talented folks given a leg-up on the Workshop were Archibald MacLeish, Norman Corwin, Bernard Herrmann, and Orson Welles. Reis was brought to Hollywood in 1940 by RKO Radio Pictures, an RCA-owned company staffed to the gills with radio veterans. After serving an apprenticeship as director of several RKO B's (including the first three Falcon films), Reis was promoted to A-productions with The Big Street (1942), an excellent Damon Runyon adaptation starring Henry Fonda and Lucille Ball. After serving in World War II, Irving Reis returned to direct such audience pleasers as The Bachelor and the Bobby-Soxer (1947), All My Sons (1948), and The Four Poster (1952).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Four Poster
Director |
1952 | |||
|
New Mexico
Director |
1951 | |||
|
Of Men and Music
Director |
1950 | |||
|
Three Husbands
Director |
1950 | |||
|
Dancing in the Dark
Director |
1949 | |||
|
Roseanna McCoy
Director |
1949 | |||
|
All My Sons
Director |
1948 | |||
|
Enchantment
Director |
1948 | |||
|
The Bachelor and the Bobby-Soxer
Director |
1947 | |||
|
Crack-Up
Director |
1946 | |||
|
Gambler's Choice
Screenwriter |
1944 | |||
|
Hitler's Children
Actor, Director |
1942 | |||
|
The Big Street
Director |
1942 | |||
|
The Falcon Takes Over
Director |
1942 | |||
|
A Date with the Falcon
Director |
1941 | |||
|
Footlight Fever
Director |
1941 | |||
|
The Gay Falcon
Director |
1941 | |||
|
Weekend for Three
Director |
1941 | |||
|
I'm Still Alive
Director |
1940 | |||
|
One Crowded Night
Director |
1940 | |||
|
Grand Jury Secrets
Screen Story, Screenwriter |
1939 | |||
|
King of Chinatown
Screenwriter |
1939 | |||
|
King of Alcatraz
Screenwriter |
1938 | |||
|
Time out for Murder
Screen Story |
1938 |
