by Hans J. Wollstein
biography
Skinny but tough, Baltimore native Hilda Vaughn could convincingly play an English Cockney, which she did in her screen debut, Three Live Ghosts (1929). A fixture at MGM in the early '30s, Vaughn made her greatest impact as Jean Harlow's blackmailing domestic in Dinner at Eight. Although it is the performance for which she will be remembered, she also shone as the ambulance corps worker in Today We Live (1933), as a slavey in Chasing Yesterday (1935), and one of the suspects in Charlie Chan at the Wax Museum (1940). The latter was Vaughn's final film but she continued to act on radio, stage, and television.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
| 1940 | ||||
|
The Maid's Night Out
Actor |
1938 | |||
|
Danger: Love at Work
Actor |
1937 | |||
|
Banjo on My Knee
Actor |
1936 | |||
|
Everybody's Old Man
Actor |
1936 | |||
|
Half Angel
Actor |
1936 | |||
|
The Accusing Finger
Actor |
1936 | |||
| 1936 | ||||
|
The Witness Chair
Actor |
1936 | |||
|
I Live My Life
Actor |
1935 | |||
|
Men Without Names
Actor |
1935 | |||
|
Straight from the Heart
Actor |
1935 | |||
|
The Wedding Night
Actor |
1935 | |||
|
Anne of Green Gables
Actor |
1934 | |||
|
Dinner at Eight
Actor |
1933 | |||
|
No Marriage Ties
Actor |
1933 | |||
|
No Other Woman
Actor |
1933 | |||
|
Today We Live
Actor |
1933 | |||
|
Ladies of the Big House
Actor |
1932 | |||
|
The Phantom of Crestwood
Actor |
1932 | |||
|
It's a Wise Child
Actor |
1931 | |||
| 1931 | ||||
|
Manslaughter
Actor |
1930 | |||
|
Three Live Ghosts
Actor |
1929 |
