One of the great American film directors, Howard Hawks was a craftsman who made tight, lean pictures during the studio era. Not confined to a particular genre, his filmography provides outstanding and influential examples of a variety of movies. His style was non-obtrusive and no-nonsense, with telling images (he's famous for narratively significant cigarette lighting) and rapid-fire dialogue. Lines in his work were delivered overlapping each other, resulting in unnaturally quick-paced conversations that added tension and a sense of urgency to the stories. In addition to being a good screenwriter himself, he had a tendency to work with some of the era's best writers, including Ben Hecht, William Faulkner, and Jules Furthman.
Born in the Midwest in 1896, Hawks moved to California during the earliest days of Hollywood. After studying mechanical engineering at Cornell and serving in the U.S. Army Air Corps, he went to work at Famous Players-Laskey and started his own independent productions. By 1924, he was running the story department at Paramount and directing silent films for Fox. But he really began to make his mark with the advent of sound; his first talking pictures included the aviator adventure The Dawn Patrol, the prison film The Criminal Code, and sea adventure Tiger Shark. In 1932, he made the historically important Scarface, which, in many ways, defined the standard of gangster films. In 1938, he made the exemplary screwball comedy Bringing up Baby starring Katharine Hepburn and Cary Grant. This quick-talking duo was one of Hawks' many star pairings involving a tough wise guy and smart-mouthed heroine; another good team was Carole Lombard and John Barrymore in the comedy Twentieth Century.
Hawks also had a knack for helping to initiate the careers of major Hollywood stars. His 1939 macho adventure Only Angels Have Wings featured Rita Hayworth in a supporting role before she became a leading femme fatale. He made the romantic comedy touchstone His Girl Friday the following year, with Rosalind Russell as the embodiment of the smart-mouthed heroine. In 1944, the director helped start the career of newcomer Lauren Bacall by pairing her with Humphrey Bogart in the war romance To Have and Have Not. Their obvious chemistry and snappy repartee led to one of the most beloved screen duos in history, and to Hawks' 1946 mystery The Big Sleep. During the '40s, he made the powerful Western drama Red River with John Wayne and Montgomery Clift. He also had a hand in launching the iconic stardom of Marilyn Monroewith the '50s comedy Monkey Business and the musical Gentlemen Prefer Blondes. In a response to the Western High Noon, Hawks teamed up again with Wayne for the revisionist Western Rio Bravo. As age caught up with him during the '60s, Hawks' career slowed down -- and so did the pace of his films. He received his first Oscar in 1974, an honorary award from the Academy before his death in Palm Springs, CA, in 1977.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
A Personal Journey with Martin Scorsese through American Movies
Archival Appearance |
1995 | |||
|
Olaf Wieghorst: Painter of the American West
Participant |
1978 | |||
|
Rio Lobo
Director, Producer |
1970 | |||
|
El Dorado
Director, Producer |
1967 | |||
|
Red Line 7000
Director, Producer |
1965 | |||
|
Man's Favorite Sport?
Director, Producer |
1963 | |||
|
Hatari!
Director, Producer |
1962 | |||
|
Rio Bravo
Director, Producer |
1959 | |||
|
Land of the Pharaohs
Director, Producer |
1955 | |||
|
Gentlemen Prefer Blondes
Director |
1953 | |||
|
Monkey Business
Director, Voice |
1952 | |||
|
O. Henry's Full House
Director |
1952 | |||
|
The Big Sky
Director, Producer |
1952 | |||
|
The Thing
Producer |
1951 | |||
|
I Was a Male War Bride
Director |
1949 | |||
|
A Song Is Born
Director |
1948 | |||
|
Red River
Director, Producer |
1948 | |||
|
The Big Sleep
Director, Producer |
1946 | |||
|
The Big Sleep (1945 pre-release version)
Director, Producer |
1945 | |||
|
To Have and Have Not
Director, Producer |
1944 | |||
|
Air Force
Director |
1943 | |||
|
Corvette K-225
Producer |
1943 | |||
|
Ball of Fire
Director |
1941 | |||
|
Sergeant York
Director, Producer |
1941 | |||
|
His Girl Friday
Director, Producer |
1940 | |||
|
Indianapolis Speedway
Screen Story |
1939 | |||
|
Only Angels Have Wings
Director, Producer |
1939 | |||
|
Bringing Up Baby
Director, Producer |
1938 | |||
|
Test Pilot
Screenwriter |
1938 | |||
|
Come and Get It
Director |
1936 | |||
|
The Road to Glory
Director |
1936 | |||
|
Ceiling Zero
Director, Play Author |
1935 | |||
|
The Barbary Coast
Director |
1935 | |||
|
Twentieth Century
Director, Producer |
1934 | |||
|
Viva Villa!
Director |
1934 | |||
|
Today We Live
Director, Producer |
1933 | |||
|
Scarface
Actor, Director, Producer, Screenwriter |
1932 | |||
|
The Crowd Roars
Director, Screen Story |
1932 | |||
|
Tiger Shark
Director |
1932 | |||
|
The Criminal Code
Director |
1931 | |||
|
The Dawn Patrol
Actor, Director, Screenwriter |
1930 | |||
|
Masked Emotions
Director |
1929 | |||
|
Trent's Last Case
Director |
1929 | |||
|
A Girl in Every Port
Director |
1928 | |||
|
Fazil
Director |
1928 | |||
|
The Air Circus
Director |
1928 | |||
|
Cradle Snatchers
Director |
1927 | |||
|
Paid to Love
Director |
1927 | |||
|
Fig Leaves
Director |
1926 | |||
|
Honesty - The Best Policy
Screen Story |
1926 | |||
|
Road to Glory
Director |
1926 | |||
|
Dressmaker from Paris
Screen Story |
1925 | |||
|
Quicksands
Producer, Screen Story |
1923 |
/_derived_jpg_q90_100x100_m0/TheThing1951-BoxArt.jpg?partner=allrovi.com)





%201.jpg?partner=allrovi.com)
