Active in the British film industry from 1929 on, camera operator Guy Green became a full director of photography in 1944. His specialty was brooding, cloud-swept period pieces like Blanche Fury (1947), Oliver Twist (1948) and Madeleine (1950). In 1954, he became a director with the modest but attractively shot River Boat (1954). Green's finest work as a director can be seen in such 1960s dramas as The Angry Silence (1960), The Mark (1961) and A Patch of Blue (1965), each of which centered around a profoundly disturbed social outcast. Once he set up shop in Hollywood, Green abandoned the austerity of his earlier works in favor of the garishly budgeted and ponderously executed The Magus (1968) and Jacqueline Susann's Once is Not Enough (1975). In 1985, Guy Green made his American TV-movie bow with Strong Medicine.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Strong Medicine
Director |
1986 | |||
|
Inmates: A Love Story
Director |
1981 | |||
|
Isabel's Choice
Director |
1981 | |||
|
Devil's Advocate
Director |
1980 | |||
|
Jimmy B. & Andre
Director |
1980 | |||
|
Jennifer: A Woman's Story
Director |
1979 | |||
| 1979 | ||||
|
Once Is Not Enough
Director |
1975 | |||
|
Luther
Director |
1974 | |||
|
A Walk in the Spring Rain
Director |
1970 | |||
|
A Matter of Innocence
Director |
1968 | |||
|
The Magus
Director |
1968 | |||
|
A Patch of Blue
Director, Screenwriter |
1965 | |||
|
Diamond Head
Director |
1962 | |||
|
Light in the Piazza
Director |
1962 | |||
|
The Mark
Director |
1961 | |||
|
S.O.S. Pacific
Director |
1960 | |||
|
The Angry Silence
Director |
1960 | |||
|
Desert Patrol
Director |
1958 | |||
|
The Snorkel
Director |
1958 | |||
|
Postmark for Danger
Director, Screenwriter |
1956 | |||
|
Triple Deception
Director |
1956 | |||
|
I Am a Camera
Cinematographer |
1955 | |||
|
Souls in Conflict
Cinematographer |
1955 | |||
|
Tears for Simon
Director |
1955 | |||
|
The Warriors
Cinematographer |
1955 | |||
|
For Better for Worse
Cinematographer |
1954 | |||
|
Decameron Nights
Cinematographer |
1953 | |||
|
River Beat
Director |
1953 | |||
|
Rob Roy
Cinematographer |
1953 | |||
|
The Beggar's Opera
Cinematographer |
1953 | |||
|
The Hour of Thirteen
Cinematographer |
1952 | |||
|
The Story of Robin Hood
Cinematographer |
1952 | |||
|
Captain Horatio Hornblower
Cinematographer |
1951 | |||
|
Night without Stars
Cinematographer |
1951 | |||
|
Madeleine
Cinematographer |
1950 | |||
|
Adam and Evelyne
Cinematographer |
1949 | |||
|
The Passionate Friends
Cinematographer |
1949 | |||
|
Blanche Fury
Cinematographer |
1948 | |||
|
Oliver Twist
Cinematographer |
1948 | |||
|
Take My Life
Cinematographer |
1948 | |||
|
Carnival
Cinematographer, Screenwriter |
1946 | |||
|
Great Expectations
Cinematographer |
1946 | |||
|
The Way Ahead
Cinematographer |
1944 | |||
|
Escape to Danger
Cinematographer |
1943 | |||
|
Hi, Gang!
Cinematographer |
1941 | |||
|
One of Our Aircraft Is Missing
Camera Operator |
1941 | |||
|
Spellbound
Cinematographer |
1941 |
