Filmmaker Glauber Rocha was one of the central figures in the Brazilian Cinema Novo movement. His provocative work, often based on popular myths, fables, and rituals, is filled with an ambiguity, depth, and a complexity that met with enthusiastic response from patrons of Western art houses. Rocha did not have formal training in filmmaking; instead he gained his insight from film societies and his career as a film critic. His work is heavily influenced by some of the giants of modern filmmaking, including Orson Welles, Eisenstein, and John Ford.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
A Idade Da Terra
Director, Screenwriter |
1980 | |||
|
Di Cavalcanti
Director, Screenwriter |
1977 | |||
|
Claro
Director |
1975 | |||
|
Le Cancer
Director |
1972 | |||
|
Cabezas Cortadas
Director, Screenwriter |
1970 | |||
|
Der Leone Have Sept Cabecas
Director, Editor, Screenwriter |
1970 | |||
|
Vent d'Est
Actor |
1969 | |||
|
O Dragao da Maldade Contra o Santo Guerreiro
Director, Screenwriter |
1968 | |||
|
Terra em Transe
Actor, Director, Screenwriter |
1966 | |||
|
Deus e O Diabo Na Terra Do Sol
Associate Producer, Director, Screenwriter |
1964 | |||
|
Barravento
Director |
1962 |
