British cinematographer Gilbert Taylor started out at age 15 as a camera assistant. He did not become a full-fledged lighting director until the late '40s. Back then he was known for his facility with both color and black-and-white photography and his versatility. Excellent examples of Taylor's work can be found in Dr. Strangelove (1964), Hard Day's Night, and MacBeth (1971). In the 1970s, Taylor began working on big-budget Hollywood films.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Don't Get Me Started
Cinematographer |
1994 | |||
The Bedroom Window
Cinematographer |
1987 | |||
Voyage of the Rock Aliens
Cinematographer |
1987 | |||
Lassiter
Cinematographer |
1984 | |||
Losin' It
Cinematographer |
1982 | |||
Venom
Cinematographer |
1982 | |||
Green Ice
Cinematographer |
1981 | |||
Flash Gordon
Cinematographer |
1980 | |||
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Dracula
Cinematographer |
1979 | |||
Escape to Athena
Cinematographer |
1979 | |||
Meetings with Remarkable Men
Cinematographer |
1979 | |||
|
Breaking Up
Cinematographer |
1978 | |||
Damien: Omen II
Cinematographer |
1978 | |||
Star Wars
Cinematographer |
1977 | |||
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The Omen
Cinematographer |
1976 | |||
|
Undercovers Hero
Cinematographer |
1975 | |||
Frenzy
Cinematographer |
1972 | |||
Macbeth
Cinematographer |
1971 | |||
A Day at the Beach
Cinematographer |
1970 | |||
Quackser Fortune Has a Cousin in the Bronx
Cinematographer |
1970 | |||
|
A Nice Girl Like Me
Cinematographer |
1969 | |||
Before Winter Comes
Cinematographer |
1969 | |||
The Man Outside
Cinematographer |
1968 | |||
|
Work Is a Four Letter Word
Cinematographer |
1968 | |||
Theatre of Death
Cinematographer |
1967 | |||
Cul-de-Sac
Cinematographer |
1966 | |||
Repulsion
Cinematographer |
1965 | |||
The Bedford Incident
Cinematographer |
1965 | |||
A Hard Day's Night
Cinematographer |
1964 | |||
|
1964 | |||
|
Ferry Across the Mersey
Cinematographer |
1964 | |||
|
Hide and Seek
Cinematographer |
1964 | |||
|
The Punch and Judy Man
Cinematographer |
1963 | |||
|
A Prize of Arms
Cinematographer |
1962 | |||
It's Trad, Dad!
Cinematographer |
1961 | |||
|
Petticoat Pirates
Cinematographer |
1961 | |||
Stop Me Before I Kill!
Cinematographer |
1961 | |||
|
The Rebel
Cinematographer |
1961 | |||
|
Bottoms Up
Cinematographer |
1960 | |||
|
Sands of the Desert
Cinematographer |
1960 | |||
|
Tommy the Toreador
Cinematographer |
1960 | |||
|
Alive and Kicking
Cinematographer |
1959 | |||
|
Operation Bullshine
Cinematographer |
1959 | |||
|
Ice Cold in Alex
Cinematographer |
1958 | |||
|
No Trees in the Street
Cinematographer |
1958 | |||
|
She Didn't Say No?
Cinematographer |
1958 | |||
|
No Time for Tears
Cinematographer |
1957 | |||
|
The Good Companions
Cinematographer |
1957 | |||
|
Woman in a Dressing Gown
Cinematographer |
1957 | |||
|
It's Great to Be Young
Cinematographer |
1956 | |||
|
My Wife's Family
Cinematographer |
1956 | |||
|
The Silken Affair
Cinematographer |
1956 | |||
|
Yield to the Night
Cinematographer |
1956 | |||
|
As Long As They're Happy
Cinematographer |
1955 | |||
|
Josephine and Men
Cinematographer |
1955 | |||
The Dam Busters
Special Effects |
1955 | |||
|
Crest of the Wave
Cinematographer |
1954 | |||
|
Front Page Story
Cinematographer |
1954 | |||
|
The Weak and the Wicked
Cinematographer |
1954 | |||
Sailor of the King
Cinematographer |
1953 | |||
|
The Yellow Balloon
Cinematographer |
1953 | |||
|
High Treason
Cinematographer |
1951 | |||
|
Seven Days to Noon
Cinematographer |
1950 | |||
|
The Guinea Pig
Cinematographer |
1948 | |||
Brighton Rock
Cinematographer |
1947 |
