by Sandra Brennan
biography
Director George Hill's best remembered film is the gritty MGM 1930 prison drama Big House. He got his start working as a stagehand for D.W. Griffith when he was only thirteen. Soon afterward he began doing camera work and screenwriting chores. He became a director in the early 1920s and soon became recognized for his creative films. Hill's wife Frances Marion, a screenwriter, frequently worked with him. While filming The Good Earth, Hill apparently committed suicide at his beachfront home.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Clear All Wires
Director |
1933 | |||
|
Hell Divers
Director |
1932 | |||
|
Stolen Heaven
Screenwriter |
1931 | |||
|
The Secret Six
Director |
1931 | |||
|
Min and Bill
Director |
1930 | |||
|
The Big House
Director |
1930 | |||
|
The Flying Feet
Director |
1929 | |||
|
The Flying Fleet
Director |
1929 | |||
|
Cossacks
Director |
1928 | |||
|
Buttons
Director |
1927 | |||
|
The Callahans and the Murphys
Director |
1927 | |||
|
Tell It to the Marines
Director |
1926 | |||
|
The Barrier
Director |
1926 | |||
|
Daring Days
Screenwriter |
1925 | |||
|
Limited Mail
Director |
1925 | |||
|
Zander the Great
Director |
1925 | |||
|
Foolish Virgin
Director |
1924 | |||
|
Hill Billy
Director |
1924 | |||
|
The Midnight Express
Director, Screenwriter |
1924 | |||
|
Through the Dark
Director |
1924 | |||
|
Get Your Man
Director |
1921 | |||
|
Remodeling Her Husband
Cinematographer |
1920 | |||
|
Polly of the Circus
Cinematographer |
1917 | |||
|
Less Than the Dust
Cinematographer |
1916 | |||
|
The Flying Torpedo
Cinematographer |
1916 |

