According to his official studio biography, American screenwriter and director Finis Fox was a former newspaper editor and member of the Oklahoma legislature. A busy scenario writer in the 1910s, Fox wrote for such stars as Mabel Taliaferro, Harold Lockwood, Bert Lytell (including a 1920 version of the eternally popular Alias Jimmy Valentine), and Bessie Love. Becoming a director in his own right in the early 1920s, Fox mainly helmed low-budget films. Returning to screenwriting late in his career, Fox penned some of Dolores Del Rio's best early vehicles, including Ramona (1928) and Evangeline (1929).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Resurrection
Screenwriter |
1931 | |||
Evangeline
Intertitle Writer, Screenwriter |
1929 | |||
|
Ramona
Intertitle Writer, Screenwriter |
1928 | |||
|
Revenge
Screenwriter |
1928 | |||
|
Dangerous Friends
Director |
1926 | |||
|
My Son
Screenwriter |
1925 | |||
|
A Woman Who Sinned
Director, Producer, Screenwriter |
1924 | |||
|
Bag and Baggage
Director, Producer, Screenwriter |
1924 | |||
|
Bishop of the Ozarks
Director |
1923 | |||
|
The Man Between
Director, Producer, Screen Story |
1923 | |||
The Merry-Go-Round
Screenwriter |
1923 | |||
|
Tipped Off
Director |
1923 | |||
|
Man's Law and God's
Director, Screenwriter |
1922 | |||
|
Alias Jimmy Valentine
Screenwriter |
1920 | |||
|
Should a Woman Tell?
Screenwriter |
1920 | |||
|
Easy to Make Money
Screenwriter |
1919 | |||
|
Jury of Fate
Screen Story |
1917 |
