The brother of writer/producer Everett Freeman, Devery Freeman served his screenwriting apprenticeship at Columbia beginning in 1946. Evidently, his talents were highly prized by comedian Red Skelton, as witness Freeman's extensive contributions to Skelton's The Fuller Brush Man (1948), The Good Humor Man (1950) and Watch the Birdie (1951). Freeman moved to Universal in the early 1950s, working on such mirthsome projects as the "Francis" series. He was employed by RKO during that studio's final years of activity, scripting the very last feature filmed on the RKO lot, The Girl Most Likely (1957). Moving into television, Devery Freeman served as producer of such situation comedies as The Ann Sothern Show (1958-61), Pete and Gladys (1960-61) and the short-lived Jack Klugman vehicle Harris Against the World (1964).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Taps
Book Author |
1981 | |||
|
Public Pigeon No. 1
Play Author |
1957 | |||
|
The Girl Most Likely
Screenwriter |
1957 | |||
|
Dance with Me, Henry
Screenwriter |
1956 | |||
|
The First Traveling Saleslady
Screenwriter |
1956 | |||
|
Ain't Misbehavin'
Screenwriter |
1955 | |||
|
Francis in the Navy
Screenwriter |
1955 | |||
|
Francis Joins the Wacs
Screenwriter |
1954 | |||
|
Three Sailors and a Girl
Screenwriter |
1953 | |||
|
Dear Brat
Screenwriter |
1951 | |||
|
Borderline
Screenwriter |
1950 | |||
|
The Yellow Cab Man
Screenwriter |
1950 | |||
|
Watch the Birdie
Screenwriter |
1950 | |||
|
A Kiss in the Dark
Screenwriter, Short Story Author |
1949 | |||
|
Miss Grant Takes Richmond
Screenwriter |
1949 | |||
|
Tell It to the Judge
Short Story Author |
1949 | |||
|
The Guilt of Janet Ames
Screenwriter |
1947 | |||
|
The Fuller Brush Man
Screenwriter |
1946 | |||
|
The Thrill of Brazil
Screenwriter |
1946 | |||
|
Ziegfeld Follies
Screenwriter |
1946 | |||
|
Main Street Lawyer
Screenwriter |
1939 |



