Daniel Fapp matriculated from lab assistant to Paramount cameraman during the '30s. Fapp's first picture as a lighting photographer was 1941's World Premiere, directed by fellow cinematographer Ted Tetzlaff. Among Fapp's better film assignments was 1946's To Each His Own, where his careful lighting of Olivia De Havilland (who in the course of the film had to age 30 years) was instrumental in the actress' Oscar win. Leaving Paramount in 1959, Fapp free-lanced with several independent producers; he won an Academy Award for the Mirisch Brothers' West Side Story (1961). Daniel Fapp closed out his career with the poorly written but exquisitely photographed outer-space opus Marooned (1969).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Marooned
Cinematographer |
1969 | |||
Five Card Stud
Cinematographer |
1968 | |||
Ice Station Zebra
Cinematographer |
1968 | |||
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Sweet November
Cinematographer |
1968 | |||
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Double Trouble
Cinematographer |
1967 | |||
Lord Love a Duck
Cinematographer |
1966 | |||
Spinout
Cinematographer |
1966 | |||
I'll Take Sweden
Cinematographer |
1965 | |||
Our Man Flint
Cinematographer |
1965 | |||
Send Me No Flowers
Cinematographer |
1964 | |||
|
The Pleasure Seekers
Cinematographer |
1964 | |||
The Unsinkable Molly Brown
Cinematographer |
1964 | |||
A New Kind of Love
Cinematographer |
1963 | |||
Fun in Acapulco
Cinematographer |
1963 | |||
Move Over, Darling
Cinematographer |
1963 | |||
The Great Escape
Cinematographer |
1963 | |||
|
Bachelor Flat
Cinematographer |
1962 | |||
|
The Pigeon That Took Rome
Cinematographer |
1962 | |||
One, Two, Three
Cinematographer |
1961 | |||
West Side Story
Cinematographer |
1961 | |||
All the Young Men
Cinematographer |
1960 | |||
Let's Make Love
Cinematographer |
1960 | |||
Li'l Abner
Cinematographer |
1959 | |||
On the Beach
Cinematographer |
1959 | |||
The Five Pennies
Cinematographer |
1959 | |||
|
The Trap
Cinematographer |
1959 | |||
Desire under the Elms
Cinematographer |
1958 | |||
Kings Go Forth
Cinematographer |
1958 | |||
|
The Devil's Hairpin
Cinematographer |
1957 | |||
|
The Joker Is Wild
Cinematographer |
1957 | |||
Hollywood or Bust
Cinematographer |
1956 | |||
Pardners
Cinematographer |
1956 | |||
|
The Birds and the Bees
Cinematographer |
1956 | |||
Artists and Models
Cinematographer |
1955 | |||
Run for Cover
Cinematographer |
1955 | |||
The Far Horizons
Cinematographer |
1955 | |||
You're Never Too Young
Cinematographer |
1955 | |||
Knock on Wood
Cinematographer |
1954 | |||
|
Living It Up
Cinematographer |
1954 | |||
Money from Home
Cinematographer |
1953 | |||
The Caddy
Cinematographer |
1953 | |||
|
The Girls of Pleasure Island
Cinematographer |
1953 | |||
|
Anything Can Happen
Cinematographer |
1952 | |||
Jumping Jacks
Cinematographer |
1952 | |||
The Stooge
Cinematographer |
1952 | |||
|
Darling, How Could You!
Cinematographer |
1951 | |||
Sailor Beware
Cinematographer |
1951 | |||
The Lemon Drop Kid
Cinematographer |
1951 | |||
No Man of Her Own
Cinematographer |
1950 | |||
|
The Redhead and the Cowboy
Cinematographer |
1950 | |||
Union Station
Cinematographer |
1950 | |||
|
Bride of Vengeance
Cinematographer |
1949 | |||
|
Red, Hot and Blue
Cinematographer |
1949 | |||
|
Song of Surrender
Cinematographer |
1949 | |||
Sorrowful Jones
Cinematographer |
1949 | |||
|
Dream Girl
Cinematographer |
1948 | |||
|
Hazard
Cinematographer |
1948 | |||
The Big Clock
Cinematographer |
1948 | |||
|
Easy Come, Easy Go
Cinematographer |
1947 | |||
Golden Earrings
Cinematographer |
1947 | |||
|
Suddenly It's Spring
Cinematographer |
1947 | |||
To Each His Own
Cinematographer |
1946 | |||
|
Hold That Blonde
Cinematographer |
1945 | |||
|
Kitty
Cinematographer |
1945 | |||
|
You Came Along
Cinematographer |
1945 | |||
|
And Now Tomorrow
Cinematographer |
1944 | |||
|
Henry Aldrich Plays Cupid
Cinematographer |
1944 | |||
|
Henry Aldrich's Little Secret
Cinematographer |
1944 | |||
|
Henry Aldrich, Boy Scout
Cinematographer |
1944 | |||
|
Henry Aldrich Haunts a House
Cinematographer |
1943 | |||
|
Henry Aldrich Swings It
Cinematographer |
1943 | |||
|
Henry Aldrich Gets Glamour
Cinematographer |
1942 | |||
|
Henry and Dizzy
Cinematographer |
1942 | |||
|
Lady Bodyguard
Cinematographer |
1942 | |||
|
My Heart Belongs to Daddy
Cinematographer |
1942 | |||
|
Priorities on Parade
Cinematographer |
1942 | |||
|
True to the Army
Cinematographer |
1942 | |||
|
World Premiere
Cinematographer |
1941 | |||
|
Glamour Boy
Cinematographer |
1940 |
