University of Arkansas grad Clyde DeVinna began his Hollywood career in 1915 at the Thomas Ince studios. A versatile and quick-witted cameraman, DeVinna was one of seven photographers turning the cranks for Ince's anti-war epic Civilization (1915). He worked his way up to principal cameraman on the films of William S. Hart and other Ince contractees. During the 1920s, DeVinna's name popped up with increasing regularity on the credits of films requiring extensive location photography, notably MGM's Ben-Hur (1926) and White Shadows on the South Seas (1928). He continued excelling in outdoor lenswork into the sound era on such films as Trader Horn (1931), Tarzan the Ape Man (1932), and Eskimo (1933). So often did Clyde DeVinna take his camera into unchartered non-Hollywood territory that it's not surprising his final film was 1952's The Jungle.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Jungle
Cinematographer |
1952 | |||
|
Sword of the Avenger
Cinematographer |
1948 | |||
|
It's a Joke, Son!
Cinematographer |
1947 | |||
|
The Caribbean Mystery
Cinematographer |
1945 | |||
|
Within These Walls
Cinematographer |
1945 | |||
|
The Immortal Sergeant
Cinematographer |
1943 | |||
|
Jackals
Cinematographer |
1942 | |||
|
Jackass Mail
Cinematographer |
1942 | |||
|
Whistling in Dixie
Cinematographer |
1942 | |||
|
Barnacle Bill
Cinematographer |
1941 | |||
|
Fightin' Fools
Cinematographer |
1941 | |||
|
Tarzan's Secret Treasure
Cinematographer |
1941 | |||
|
The Bad Man
Cinematographer |
1941 | |||
|
The Bugle Sounds
Cinematographer |
1941 | |||
|
The People vs. Dr. Kildare
Cinematographer |
1941 | |||
|
20 Mule Team
Cinematographer |
1940 | |||
|
All About Hash
Cinematographer |
1940 | |||
|
Bubbling Troubles
Cinematographer |
1940 | |||
|
Phantom Raiders
Cinematographer |
1940 | |||
|
Wyoming
Cinematographer |
1940 | |||
|
Blackmail
Cinematographer |
1939 | |||
|
Bridal Suite
Cinematographer |
1939 | |||
|
Come Back, Miss Pipps
Cinematographer |
1939 | |||
|
They All Come Out
Cinematographer |
1939 | |||
|
Fast Company
Cinematographer |
1938 | |||
|
Football Romeo
Cinematographer |
1938 | |||
|
Of Human Hearts
Cinematographer |
1938 | |||
|
The Bad Man of Brimstone
Cinematographer |
1938 | |||
|
The Girl Downstairs
Cinematographer |
1938 | |||
|
The Good Old Soak
Cinematographer |
1937 | |||
|
Last of the Pagans
Cinematographer |
1936 | |||
|
Old Hutch
Cinematographer |
1936 | |||
|
Ah, Wilderness!
Cinematographer |
1935 | |||
|
West Point of the Air
Cinematographer |
1935 | |||
|
Tarzan and His Mate
Cinematographer |
1934 | |||
|
Treasure Island
Cinematographer |
1934 | |||
|
Eskimo
Cinematographer |
1933 | |||
|
Bird of Paradise
Cinematographer |
1932 | |||
|
Tarzan, the Ape Man
Cinematographer |
1932 | |||
|
Politics
Cinematographer |
1931 | |||
|
Shipmates
Cinematographer |
1931 | |||
|
The Great Meadow
Cinematographer |
1931 | |||
|
Trader Horn
Cinematographer |
1931 | |||
|
The Pagan
Cinematographer |
1929 | |||
|
The Adventurer
Cinematographer |
1928 | |||
|
The Law of the Range
Cinematographer |
1928 | |||
|
White Shadows in the South Seas
Cinematographer |
1928 | |||
|
Wickedness Preferred
Cinematographer |
1928 | |||
|
California
Cinematographer |
1927 | |||
|
Foreign Devils
Cinematographer |
1927 | |||
|
Winners of the Wilderness
Cinematographer |
1927 | |||
|
War Paint
Cinematographer |
1926 | |||
|
Ben-Hur: A Tale of the Christ
Cinematographer |
1925 | |||
|
The Man in Blue
Cinematographer |
1925 | |||
|
Sporting Youth
Cinematographer |
1924 | |||
|
The Cheater Reformed
Cinematographer |
1921 | |||
|
Adele
Cinematographer |
1919 | |||
|
All Wrong
Cinematographer |
1919 | |||
|
A Corner in Colleens
Cinematographer |
1916 | |||
|
Civilization
Cinematographer |
1916 | |||
|
The Captive God
Cinematographer |
1916 |


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