American cinematographer Charles Lawton began his career in 1926 as an assistant to cameraman George Folsey. By 1937, Lawton had worked his way up to lighting cameraman where he became especially noted for his outdoor cinematography. During the '50s and '60s, he filmed many exceptional westerns.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
A Rage to Live
Cinematographer |
1965 | |||
Ensign Pulver
Cinematographer |
1964 | |||
Youngblood Hawke
Cinematographer |
1964 | |||
Spencer's Mountain
Cinematographer |
1963 | |||
13 West Street
Cinematographer |
1962 | |||
Rome Adventure
Cinematographer |
1962 | |||
|
Thirteen West Street
Cinematographer |
1962 | |||
A Raisin in the Sun
Cinematographer |
1961 | |||
The Wackiest Ship in the Army
Cinematographer |
1961 | |||
Two Rode Together
Cinematographer |
1961 | |||
Comanche Station
Cinematographer |
1960 | |||
|
Man on a String
Cinematographer |
1960 | |||
It Happened to Jane
Cinematographer |
1959 | |||
Ride Lonesome
Cinematographer |
1959 | |||
The Gene Krupa Story
Cinematographer |
1959 | |||
Cowboy
Cinematographer |
1958 | |||
Gideon of Scotland Yard
Cinematographer |
1958 | |||
Gunman's Walk
Cinematographer |
1958 | |||
The Last Hurrah
Cinematographer |
1958 | |||
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3:10 to Yuma
Cinematographer |
1957 | |||
Operation Mad Ball
Cinematographer |
1957 | |||
The Tall T
Cinematographer |
1957 | |||
Full of Life
Cinematographer |
1956 | |||
Jubal
Cinematographer |
1956 | |||
You Can't Run Away From It
Cinematographer |
1956 | |||
|
Bring Your Smile Along
Cinematographer |
1955 | |||
My Sister Eileen
Cinematographer |
1955 | |||
The Long Gray Line
Cinematographer |
1955 | |||
|
Drive a Crooked Road
Cinematographer |
1954 | |||
They Rode West
Cinematographer |
1954 | |||
Three Hours to Kill
Cinematographer |
1954 | |||
All Ashore
Cinematographer |
1953 | |||
Cruisin' Down the River
Cinematographer |
1953 | |||
Fort Algiers
Cinematographer |
1953 | |||
Let's Do It Again
Cinematographer |
1953 | |||
Miss Sadie Thompson
Cinematographer |
1953 | |||
Captain Pirate
Cinematographer |
1952 | |||
Hangman's Knot
Cinematographer |
1952 | |||
|
Last of the Comanches
Cinematographer |
1952 | |||
|
Paula
Cinematographer |
1952 | |||
The Happy Time
Cinematographer |
1952 | |||
Boots Malone
Cinematographer |
1951 | |||
|
Her First Romance
Cinematographer |
1951 | |||
Man in the Saddle
Cinematographer |
1951 | |||
|
Mask of the Avenger
Cinematographer |
1951 | |||
Santa Fe
Cinematographer |
1951 | |||
|
Cargo to Capetown
Cinematographer |
1950 | |||
Kill the Umpire
Cinematographer |
1950 | |||
Rogues of Sherwood Forest
Cinematographer |
1950 | |||
|
Stage to Tucson
Cinematographer |
1950 | |||
The Fuller Brush Girl
Cinematographer |
1950 | |||
The Nevadan
Cinematographer |
1950 | |||
Miss Grant Takes Richmond
Cinematographer |
1949 | |||
Mr. Soft Touch
Cinematographer |
1949 | |||
Shockproof
Cinematographer |
1949 | |||
Slightly French
Cinematographer |
1949 | |||
The Doolins of Oklahoma
Cinematographer |
1949 | |||
|
The Walking Hills
Cinematographer |
1949 | |||
Tokyo Joe
Cinematographer |
1949 | |||
The Black Arrow
Cinematographer |
1948 | |||
|
The Gallant Blade
Cinematographer |
1948 | |||
The Lady from Shanghai
Cinematographer |
1948 | |||
The Untamed Breed
Cinematographer |
1948 | |||
Her Husband's Affairs
Cinematographer |
1947 | |||
|
I Love Trouble
Cinematographer |
1947 | |||
|
One Way to Love
Cinematographer |
1946 | |||
|
Perilous Holiday
Cinematographer |
1946 | |||
|
The Return of Monte Cristo
Cinematographer |
1946 | |||
|
The Thrill of Brazil
Cinematographer |
1946 | |||
|
The Walls Came Tumbling Down
Cinematographer |
1946 | |||
Brewster's Millions
Cinematographer |
1945 | |||
Getting Gertie's Garter
Cinematographer |
1945 | |||
|
Kiss and Tell
Cinematographer |
1945 | |||
Abroad With Two Yanks
Cinematographer |
1944 | |||
See Here, Private Hargrove
Cinematographer |
1944 | |||
|
Three Is a Family
Cinematographer |
1944 | |||
Up in Mabel's Room
Cinematographer |
1944 | |||
The Youngest Profession
Cinematographer |
1943 | |||
Young Ideas
Cinematographer |
1943 | |||
A Yank at Eton
Cinematographer |
1942 | |||
Eyes in the Night
Cinematographer |
1942 | |||
Fingers at the Window
Cinematographer |
1942 | |||
Joe Smith, American
Cinematographer |
1942 | |||
The Affairs of Martha
Cinematographer |
1942 | |||
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This Time for Keeps
Cinematographer |
1942 | |||
|
Free and Easy
Cinematographer |
1941 | |||
Maisie Was a Lady
Cinematographer |
1941 | |||
|
Memory Tricks
Cinematographer |
1941 | |||
Ringside Maisie
Cinematographer |
1941 | |||
The Big Store
Cinematographer |
1941 | |||
The Vanishing Virginian
Cinematographer |
1941 | |||
Andy Hardy Meets Debutante
Cinematographer |
1940 | |||
Congo Maisie
Cinematographer |
1940 | |||
|
Dulcy
Cinematographer |
1940 | |||
|
Forty Little Mothers
Cinematographer |
1940 | |||
Gold Rush Maisie
Cinematographer |
1940 | |||
Hullabaloo
Cinematographer |
1940 | |||
Sky Murder
Cinematographer |
1940 | |||
|
Miracles for Sale
Cinematographer |
1939 | |||
|
Nick Carter, Master Detective
Cinematographer |
1939 | |||
|
Within the Law
Cinematographer |
1939 | |||
Listen, Darling
Cinematographer |
1938 | |||
|
The Chaser
Cinematographer |
1938 | |||
|
My Dear Miss Aldrich
Cinematographer |
1937 |
