After attending Johns Hopkins University and the University of Southern California film school, American cinematographer Caleb Deschanel was trained at the American Film Institute. He launched his professional career as assistant to veteran photographer Gordon Willis, then he handled the second unit photography for Francis Ford Coppola's Apocalypse Now (1978). One of his first major cinematography credits was for the Coppola-produced The Black Stallion (1979), undoubtedly one of the most beautifully-lensed films of the 1970s. Deschanel earned Oscar nominations for his work on The Right Stuff (1983) and The Natural (1984); he was instrumental in developing the Steadicam system that assured rock-steady camera movement under any circumstances, which he would later refine into his own "skycam" system for aerial photography. In 1996, Deschanel earned another Oscar nomination for his work on the acclaimed family film Fly Away Home; he continued to work steadily throughout the decade, giving such films as Anna and the King (1999) their lustrous glow. During the start of the next decade Deschanel provided his for undistinguished fare like Timeline, The Patriot, and National Treasure, but he helped make The Passion of the Christ the most successful independent film and the most successful R rated film in history up to that time. He teamed with John Madden for the Elmore Leonard adaptation Killshot, and brought his typical mastery to Robert Towne's Ask the Dust - beautifully evoking depression era Los Angeles. In addition to his camera credits, Deschanel has directed two films, one of which was the quirky success d'estime The Escape Artist (1982).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Gangster Squad
Additional Cinematography |
2013 | |||
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Abraham Lincoln: Vampire Hunter
Cinematographer |
2012 | |||
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Dream House
Cinematographer |
2011 | |||
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Killer Joe
Cinematographer |
2011 | |||
|
Killshot
Cinematographer |
2009 | |||
|
My Sister's Keeper
Cinematographer |
2009 | |||
|
The Spiderwick Chronicles
Cinematographer |
2008 | |||
| 2007 | ||||
|
Ask the Dust
Cinematographer |
2006 | |||
|
Cinematographer Style
Participant |
2006 | |||
|
Law & Order: Trial by Jury - Day
Director |
2005 | |||
|
National Treasure
Cinematographer |
2004 | |||
|
The Passion of The Christ
Cinematographer |
2004 | |||
|
Timeline
Cinematographer |
2003 | |||
|
Apocalypse Now Redux
Additional Cinematography |
2001 | |||
|
The Patriot
Cinematographer |
2000 | |||
|
Anna and the King
Cinematographer |
1999 | |||
|
Message in a Bottle
Cinematographer |
1999 | |||
|
Hope Floats
Cinematographer |
1998 | |||
|
Titanic
Camera Operator |
1997 | |||
|
Fly Away Home
Cinematographer |
1996 | |||
|
It Could Happen to You
Cinematographer |
1994 | |||
|
Visions of Light: The Art of Cinematography
Interviewee |
1993 | |||
|
Twin Peaks: Episode 19
Director |
1991 | |||
|
Twin Peaks: Episode 06
Director |
1990 | |||
|
Twin Peaks: Episode 15
Director |
1990 | |||
|
Crusoe
Director |
1989 | |||
|
50 Years of Action!
Cinematographer |
1986 | |||
|
The Slugger's Wife
Cinematographer |
1985 | |||
|
The Natural
Cinematographer |
1984 | |||
|
The Black Stallion Returns
Cinematographer |
1983 | |||
|
The Right Stuff
Cinematographer |
1983 | |||
|
Let's Spend the Night Together
Cinematographer |
1982 | |||
|
The Escape Artist
Director |
1982 | |||
|
Being There
Cinematographer |
1979 | |||
|
More American Graffiti
Cinematographer |
1979 | |||
|
The Black Stallion
Cinematographer |
1979 | |||
|
Trains
Cinematographer, Director |
1976 | |||
|
A Woman Under the Influence
Cinematographer |
1974 |

