A graduate of the New York Institute of Photography, Arthur E. Arling was 21 when he signed on as an assistant cameraman at Fox Studios. Within five years, Arling was promoted to second cameraman, though he would not graduate to full cinematographer until after his World War II service. Among Arling's pre-war collaborative efforts was Gone With the Wind (1939); his most immediate postwar project was The Yearling, which won a joint Oscar for Arling, Charles Rosher and Leonard Smith. On his own, Arling earned an Oscar nomination for the black-and-white 1955 biopic I'll Cry Tomorrow. We can't say for certain, but it's possible that Arling was principal architect for the "gauze period" in the career of Doris Day; having previously worked with the actress in Love Me or Leave Me (1955), he managed to make her seem younger than ever in the subsequent Doris Day-Rock Hudson frivolities Pillow Talk (1959) and Love Come Back (1962). Arthur E. Arling retired in 1966, after wrapping up work on director John Derek's Once Before I Die.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Once Before I Die
Cinematographer |
1965 | |||
|
Ski Party
Cinematographer |
1965 | |||
|
Strait-Jacket
Cinematographer |
1964 | |||
|
The Secret Invasion
Cinematographer |
1964 | |||
|
My Six Loves
Cinematographer |
1963 | |||
|
Boys' Night Out
Cinematographer |
1962 | |||
|
Swingin' Along
Cinematographer |
1962 | |||
|
The Notorious Landlady
Cinematographer |
1962 | |||
|
When the Girls Take Over
Cinematographer |
1962 | |||
|
Lover Come Back
Cinematographer |
1961 | |||
|
The Story of Ruth
Cinematographer |
1960 | |||
|
Pillow Talk
Cinematographer |
1959 | |||
|
Take a Giant Step
Cinematographer |
1959 | |||
|
Flood Tide
Cinematographer |
1958 | |||
|
Kathy O'
Cinematographer |
1958 | |||
|
Once Upon a Horse
Cinematographer |
1958 | |||
|
This Happy Feeling
Cinematographer |
1958 | |||
|
Man in the Shadow
Cinematographer |
1957 | |||
|
Pay the Devil
Cinematographer |
1957 | |||
|
Tammy and the Bachelor
Cinematographer |
1957 | |||
|
The Kettles on Old MacDonald's Farm
Cinematographer |
1957 | |||
|
Ransom
Cinematographer |
1956 | |||
|
The Great American Pastime
Cinematographer |
1956 | |||
|
I'll Cry Tomorrow
Cinematographer |
1955 | |||
|
Love Me or Leave Me
Cinematographer |
1955 | |||
|
The Glass Slipper
Cinematographer |
1955 | |||
|
Three for the Show
Cinematographer |
1955 | |||
|
Red Garters
Cinematographer |
1954 | |||
|
The Farmer Takes a Wife
Cinematographer |
1953 | |||
|
Belles on Their Toes
Cinematographer |
1952 | |||
|
The I Don't Care Girl
Cinematographer |
1952 | |||
|
Call Me Mister
Cinematographer |
1951 | |||
|
Meet Me After the Show
Cinematographer |
1951 | |||
|
My Blue Heaven
Cinematographer |
1950 | |||
|
Wabash Avenue
Cinematographer |
1950 | |||
|
Mother Is a Freshman
Cinematographer |
1949 | |||
|
You're My Everything
Cinematographer |
1949 | |||
|
Captain from Castile
Cinematographer |
1947 | |||
|
The Homestretch
Cinematographer |
1947 | |||
|
The Yearling
Cinematographer |
1946 | |||
|
Three on a Honeymoon
Cinematographer |
1934 | |||
|
Merely Mary Ann
Cinematographer |
1931 |

