Born in Kiev, Michael Anatole Litwak was a stage actor and assistant director as a teenager. He entered Soviet cinema in 1923, working in Nordkino studios as a set decorator and assistant director. He directed his first film, the 1925 release Tatiana (Hearts and Dollars), but left the Soviet Union that year for Germany, where he edited G.W. Pabst's Die Freudlose Gasse (The Joyless Street, 1925), assistant directed, and helmed the early '30s features Dolly Macht Karriere (1931), Nie Wieder Liebe (1932), and Das Lied Einer Nacht (1933). Fleeing the Nazis, Litvak directed films in England and France, among them the international hit Mayerling (1936). He came to Hollywood in 1937, where he helmed many handsome and polished features, specializing in crime films (The Amazing Dr. Clitterhouse [1938], Confessions of a Nazi Spy [1939], Castle on the Hudson [1940], Out of the Fog, [1941]) and romantic dramas (The Sisters [1938], All This and Heaven Too [1953]). He worked on several Army documentaries during World War II, and co-directed The Nazis Strike (1942), Divide and Conquer (1942), and The Battle of China (1943) with Frank Capra. Litvak made even stonger films after the war: Sorry, Wrong Number (1948), The Snake Pit (1948), Decision Before Dawn (1951), and Anastasia (1956). In the mid-'50s he began making films in Europe; standouts of his late career are the thrillers The Night of the Generals (1967) and The Lady in the Car with Glasses and a Gun (1970).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Lady in the Car with Glasses and a Gun
Director, Producer |
1970 | |||
|
The Night of the Generals
Director |
1967 | |||
|
10:30 P.M. Summer
Producer |
1966 | |||
|
Le Couteau dans la Plaie
Director, Producer |
1962 | |||
|
Aimez-Vous Brahms?
Director, Producer |
1961 | |||
|
The Journey
Director, Producer |
1959 | |||
|
Anastasia
Director |
1956 | |||
|
The Deep Blue Sea
Director, Producer |
1955 | |||
|
Un Acte d'Amour
Director, Producer |
1953 | |||
|
Decision Before Dawn
Director, Producer |
1951 | |||
|
Sorry, Wrong Number
Director, Producer |
1948 | |||
|
The Snake Pit
Director, Producer |
1948 | |||
|
Meet Me at Dawn
Play Author |
1947 | |||
|
The Long Night
Director, Producer |
1947 | |||
|
D-Day: The Normandy Invasion
Director |
1945 | |||
|
War Comes to America
Director, Screenwriter |
1945 | |||
|
The Battle of China
Director |
1944 | |||
|
Show Business at War
Participant |
1943 | |||
|
The Battle of Russia
Director, Producer, Screenwriter |
1943 | |||
|
The Nazis Strike
Director |
1943 | |||
|
This Above All
Director |
1942 | |||
|
Blues in the Night
Director |
1941 | |||
|
Out of the Fog
Director |
1941 | |||
|
'Til We Meet Again
Director |
1940 | |||
|
All This and Heaven Too
Director |
1940 | |||
|
Castle on the Hudson
Director |
1940 | |||
|
City for Conquest
Director, Producer |
1940 | |||
|
Confessions of a Nazi Spy
Director |
1939 | |||
|
The Amazing Dr. Clitterhouse
Director, Producer |
1938 | |||
|
The Sisters
Director |
1938 | |||
|
The Woman I Love
Director |
1937 | |||
|
Tovarich
Director |
1937 | |||
|
Mayerling
Director |
1936 | |||
|
L'Equipage
Director |
1935 | |||
|
Be Mine Tonight
Director |
1933 | |||
|
Cette Vieille Canaille
Director |
1933 | |||
|
Sleeping Car
Director |
1933 | |||
|
Das Lied Einer Nacht
Director |
1932 | |||
|
Coeur de Lilas
Director |
1931 | |||
|
Nie Wieder Liebe
Director |
1931 | |||
|
Dolly macht Karriere
Director |
1930 | |||
|
Napoléon
First Assistant Director |
1927 |



