American cinematographer Allen Daviau began his career in the 1960s by photographing publicity films for musical artists such as Jimi Hendrix and The Who. He started out in television in the late 1970s, lensing such above-average TV movies as The Boy Who Drank Too Much (1980). During his lengthy association with Steven Spielberg, Daviau manned the cameras on E.T. (1982), The Color Purple (1984), and Empire of the Sun (1987) and received Oscar nominations for all three films. He also collaborated with directors as diverse as Albert Brooks (Defending Your Life [1991]), Barry Levinson (Avalon [1990] and Bugsy [1991]) and Peter Weir (Fearless [1993]). Allen Daviau made a rare appearance in front of the cameras in Visions of Light, a 1993 documentary spotlighting several top cinematographers.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Cinematographer Style
Participant |
2006 | |||
|
Van Helsing
Cinematographer |
2004 | |||
|
Stanley Kubrick: A Life in Pictures
Participant |
2001 | |||
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The Astronaut's Wife
Cinematographer |
1999 | |||
|
Congo
Cinematographer |
1995 | |||
|
Fearless
Cinematographer |
1993 | |||
|
Visions of Light: The Art of Cinematography
Interviewee |
1993 | |||
|
Bugsy
Cinematographer |
1991 | |||
|
Defending Your Life
Cinematographer |
1991 | |||
|
Avalon
Cinematographer |
1990 | |||
|
Empire of the Sun
Cinematographer |
1987 | |||
|
Harry and the Hendersons
Cinematographer |
1987 | |||
|
Amazing Stories: Ghost Train
Cinematographer |
1985 | |||
|
Amazing Stories: The Mission
Cinematographer |
1985 | |||
|
The Color Purple
Cinematographer |
1985 | |||
|
The Falcon and the Snowman
Cinematographer |
1985 | |||
|
Indiana Jones and the Temple of Doom
Cinematographer |
1984 | |||
|
Legs
Cinematographer |
1983 | |||
|
Twilight Zone: The Movie
Cinematographer |
1983 | |||
|
E.T.: The Extra-Terrestrial
Cinematographer |
1982 | |||
|
Harry Tracy
Cinematographer |
1982 | |||
|
Rage
Cinematographer |
1980 | |||
|
The Boy Who Drank Too Much
Cinematographer |
1980 | |||
|
The Streets of L.A.
Cinematographer |
1979 | |||
|
Close Encounters of the Third Kind
Additional Cinematography |
1977 | |||
|
The Brothers O'Toole
Cinematographer |
1973 |