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Greek filmmaker Eleni Alexandrakis uses this thought-provoking drama to promote the idea that love is a political idea and in the conservative '90s has become an impossibility as it chronicles the doomed romance between, daring Anna, an acting student who masquerades as a man in order to attend lectures for men only and aimless bar waiter Andreas. Their relationship never had a chance as both are too involved with their own depression and cynicism to reach out to each other. In the end, their love is only as the title state.