Based on a song by Leonard Cohen, this peculiar experimental film set in late-'60s San Francisco was executive-produced by game-show mogul Gene Barry, the director's father. It concerns Suzanne (Sondra Locke), who gets crucified in a film-within-a-film which receives much of the screen time. Suzanne is meant to be a Christ figure, and the story focuses on her use as a doomed symbol for the beliefs of Manson-like filmmaker Jared Martin. Richard Dreyfuss and Paul Sand are among the cast of this offbeat, grungy little film which deserves points for originality if nothing else.
by Robert Firsching synopsis