(1996)
5
Mark Deming
Fargo never seems to make up its mind if it wants to be an absurdist comedy or a stylized crime drama, and that's a big part of its charm: somehow it manages to be both at the same time. While the movie never shies away from the grim facts or consequences of the kidnapping and multiple murders at the core of the narrative, Fargo does manage to skate playfully into a dryly comic look at life in the frozen wastes of Minnesota, where cuisine is ruled by the buffet and folks really say "You betcha!" Joel Coen and Ethan Coen, former Minnesotans themselves, understand the physical and emotional landscape of the little town of Brainerd, and they seem to laugh both with it and at it; while they can't help but find humor in the nasal, Nordic drawl and implacably low-key nature of these people, Joel and Ethan seem genuinely to like them -- especially Police Chief Marge Gunderson (Frances McDormand, in a deservedly Oscar-winning performance), whose perversely sunny disposition only partially obscures the fact that she's a clever, observant, and very effective cop. The Coens have even more fun (though of an edgier variety) with Carl Showalter (Steve Buscemi, who steals every scene he's in), a weasely crook whose every word and gesture screams, "I'm Not From Around Here." Despite the film's assured comic sensibility, the Coens bring a nail-biting tension to the murder scenes, and William H. Macy's Jerry Lundergaard is a pathetically compelling mass of misguided motivation and bad choices. While most of their films are remarkable for a gymnastic visual style, the Coen brothers give Fargo a stark, clean look that's the perfect match for the chilly near-monochrome of the snowy Midwestern landscape; Fargo looks less like a Coen brothers film than anything else they've done, while defining their signature themes as clearly as anything else they've done.
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awards for Fargo on AllMovie
Fargo (1996)
Academy of Motion Picture Arts and Sciences
|
Won |
Best Actress
|
1996 |
|
Nominated |
Best Cinematography
|
1996 |
|
Nominated |
Best Director
|
1996 |
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Nominated |
Best Editing
|
1996 |
|
Won |
Best Original Screenplay
|
1996 |
|
Nominated |
Best Picture
|
1996 |
|
Nominated |
Best Supporting Actor
|
1996 |
American Film Institute
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Won |
100 Greatest American Movies
|
1998 |
American Society of Cinematographers
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Nominated |
Best Cinematography
|
1996 |
Broadcast Film Critics Association
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Won |
Best Actress
|
1996 |
|
Won |
Best Picture
|
1996 |
Cannes Film Festival
Chicago Film Critics Association
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Won |
Best Actress
|
1996 |
|
Won |
Best Director
|
1996 |
|
Won |
Best Original Score
|
1996 |
|
Won |
Best Picture
|
1996 |
|
Won |
Best Screenplay
|
1996 |
Directors Guild of America
|
Nominated |
Best Director
|
1996 |
Independent Spirit Awards
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Won |
Best Actor
|
1996 |
|
Won |
Best Actress
|
1996 |
|
Won |
Best Cinematography
|
1996 |
|
Won |
Best Director
|
1996 |
|
Won |
Best Picture
|
1996 |
|
Won |
Best Screenplay
|
1996 |
Los Angeles Film Critics Association
National Board of Review
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Won |
Best Actress
|
1996 |
|
Won |
Best Director
|
1996 |
|
Nominated |
Best Picture
|
1996 |
New York Film Critics Circle
Screen Actors Guild
|
Won |
Best Actress
|
1996 |
|
Nominated |
Best Supporting Actor
|
1996 |
