Crack in the Mirror is all about its intriguing gimmick, i.e., the double-casting of actors in dual roles that in many ways are mirror images of each other. Clearly, the filmmakers utilize this conceit because they want to make a statement about class similarities and differences; presumably, they want to point out how wealth and position make no difference in emotions and behavior but can play a role in how one is perceived and in how justice is administered. It's a fascinating idea, and it's quite unfortunate that director Richard Fleischer and the screenwriter (Darryl F. Zanuck, writing under a pseudonym) don't take this idea and make it fly. Instead, they depend upon the strength of the gimmick itself, providing neither an engaging screenplay nor compelling direction. Indeed, much of Crack is terminally dull, and the potential for emotional exploration of any depth is wasted. Matters are not helped by the fact that the characters are not particularly sympathetic and, worse, not very interesting. Fortunately, Crack boasts a trio of fine actors giving a sextet of exceptional performances. Bradford Dillman is perhaps not quite as comfortable as one might wish in the first half of the film, but he's at the top of his form playing the smooth lawyer. Orson Welles is in delicious form throughout, and his courtroom scene is especially well played. And Juliette Greco is captivating; her acting is quite good, but it's her presence and charisma that really draws one in. Crack doesn't live up to its potential as a whole, but the stars certainly do.
by Craig Butler
review
