(1949)4.5Richard GilliamAs a powerful indictment of modern politics, All the King's Men represents a landmark in the maturation of United States cinema. It is dominated by the dynamic performance of Broderick Crawford as Willie Stark, a thinly disguised version of real-life populist demagogue Huey Long. In an era that was still churning out feel-good political dramas like Mr. Smith Goes to Washington, audiences were shocked by the confrontational realism of a film that said not only that the American political system was corrupt but also that, absent the intervention of violence, it would remain corrupt. It has many cinematic descendants, most notably the similarly named All the President's Men about a real-life corrupt politician, and the observable fact of history that at least in this case, that the checks and balances did work to remove the corrupt official in ways that they did not for Huey Long.
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