American cinematographer William Mellor began his career working for Paramount as a lab assistant; soon he was promoted to assistant cameraman. By 1934, Mellor had become a full-fledged lighting director for Paramount, MGM, and Fox. For his work on A Place in the Sun (1951) and The Diary of Anne Frank (1959), Mellor received Academy Awards.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
The Greatest Story Ever Told
Cinematographer |
1965 | |||
Mr. Hobbs Takes a Vacation
Cinematographer |
1962 | |||
State Fair
Cinematographer |
1962 | |||
|
The Big Gamble
Cinematographer |
1961 | |||
Wild in the Country
Cinematographer |
1961 | |||
|
Crack in the Mirror
Cinematographer |
1960 | |||
|
One Foot in Hell
Cinematographer |
1960 | |||
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Compulsion
Cinematographer |
1959 | |||
The Best of Everything
Cinematographer |
1959 | |||
The Diary of Anne Frank
Cinematographer |
1959 | |||
|
Woman Obsessed
Cinematographer |
1959 | |||
|
Sing, Boy, Sing
Cinematographer |
1958 | |||
Love in the Afternoon
Cinematographer |
1957 | |||
Peyton Place
Cinematographer |
1957 | |||
Back from Eternity
Cinematographer |
1956 | |||
Giant
Cinematographer |
1956 | |||
|
Johnny Concho
Cinematographer |
1956 | |||
Bad Day at Black Rock
Cinematographer |
1955 | |||
The Last Frontier
Cinematographer |
1955 | |||
|
Alaska Seas
Cinematographer |
1954 | |||
Give a Girl a Break
Cinematographer |
1953 | |||
The Affairs of Dobie Gillis
Cinematographer |
1953 | |||
The Big Leaguer
Cinematographer |
1953 | |||
The Naked Spur
Cinematographer |
1953 | |||
Carbine Williams
Cinematographer |
1952 | |||
My Man and I
Cinematographer |
1952 | |||
Skirts Ahoy!
Cinematographer |
1952 | |||
A Place in the Sun
Cinematographer |
1951 | |||
Across the Wide Missouri
Cinematographer |
1951 | |||
|
Soldiers Three
Cinematographer |
1951 | |||
The Unknown Man
Cinematographer |
1951 | |||
Westward the Women
Cinematographer |
1951 | |||
It's a Big Country
Cinematographer |
1950 | |||
The Next Voice You Hear
Cinematographer |
1950 | |||
Love Happy
Cinematographer |
1949 | |||
Too Late for Tears
Cinematographer |
1949 | |||
|
Man-Eater of Kumaon
Cinematographer |
1948 | |||
Texas, Brooklyn and Heaven
Cinematographer |
1948 | |||
|
Blaze of Noon
Cinematographer |
1947 | |||
The Senator Was Indiscreet
Cinematographer |
1947 | |||
|
Abie's Irish Rose
Cinematographer |
1946 | |||
|
Dixie
Cinematographer |
1943 | |||
|
Beyond the Blue Horizon
Cinematographer |
1942 | |||
My Favorite Blonde
Cinematographer |
1942 | |||
The Commandos Strike at Dawn
Cinematographer |
1942 | |||
|
The Fleet's In
Cinematographer |
1942 | |||
The Great Man's Lady
Cinematographer |
1942 | |||
The Road to Morocco
Cinematographer |
1942 | |||
Wake Island
Cinematographer |
1942 | |||
Birth of the Blues
Cinematographer |
1941 | |||
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Las Vegas Nights
Cinematographer |
1941 | |||
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Reaching for the Sun
Cinematographer |
1941 | |||
|
Comin' Round the Mountain
Cinematographer |
1940 | |||
|
Moon over Burma
Cinematographer |
1940 | |||
Road to Singapore
Cinematographer |
1940 | |||
The Great McGinty
Cinematographer |
1940 | |||
|
Typhoon
Cinematographer |
1940 | |||
|
$1,000 a Touchdown
Cinematographer |
1939 | |||
|
Ambush
Cinematographer |
1939 | |||
|
Disputed Passage
Cinematographer |
1939 | |||
|
Hotel Imperial
Cinematographer |
1939 | |||
|
The Magnificent Fraud
Cinematographer |
1939 | |||
|
Undercover Doctor
Cinematographer |
1939 | |||
Bulldog Drummond in Africa
Cinematographer |
1938 | |||
|
Ride a Crooked Mile
Cinematographer |
1938 | |||
|
Romance in the Dark
Cinematographer |
1938 | |||
|
Stolen Heaven
Cinematographer |
1938 | |||
Bulldog Drummond Comes Back
Cinematographer |
1937 | |||
|
Champagne Waltz
Cinematographer |
1937 | |||
|
Exclusive
Cinematographer |
1937 | |||
Make Way for Tomorrow
Cinematographer |
1937 | |||
|
Thrill of a Lifetime
Cinematographer |
1937 | |||
|
A Son Comes Home
Cinematographer |
1936 | |||
|
College Holiday
Cinematographer |
1936 | |||
|
Collegiate
Cinematographer |
1936 | |||
Poppy
Cinematographer |
1936 | |||
|
The Sky Parade
Cinematographer |
1936 | |||
|
Woman Trap
Cinematographer |
1936 | |||
|
Car 99
Cinematographer |
1935 | |||
|
Enter Madame
Cinematographer |
1935 | |||
|
Home on the Range
Cinematographer |
1935 | |||
Wings in the Dark
Cinematographer |
1935 | |||
|
Without Regret
Cinematographer |
1935 | |||
|
Elmer and Elsie
Cinematographer |
1934 | |||
Wagon Wheels
Cinematographer |
1934 |
