A graduate of British television, cinematographer Tony Pierce-Roberts began attracting attention in 1982 with such visually arresting big-screen projects as Moonlighting. He hit his stride after 1985, working on subject matter ranging from literary adaptations (1991's White Fang) to door-slamming farce (1993's Splitting Heirs). Since his Oscar-nominated work for 1986's Room with a View, Pierce-Roberts has been one of the most valued members of the Ismael Merchant-James Ivory film concern. Tony Pierce-Roberts was the man behind the camera for such Merchant-Ivory gems as Mr. and Mrs. Bridge (1990), Howard's End (1992), and Remains of the Day (1993).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Made of Honor
Cinematographer |
2008 | |||
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Home of the Brave
Cinematographer |
2006 | |||
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Doom
Cinematographer |
2005 | |||
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Separate Lies
Cinematographer |
2005 | |||
|
De-Lovely
Cinematographer |
2004 | |||
|
Underworld
Cinematographer |
2003 | |||
|
Dinotopia
Cinematographer |
2002 | |||
|
The Importance of Being Earnest
Cinematographer |
2002 | |||
|
The Golden Bowl
Cinematographer |
2000 | |||
|
Astérix et Obélix contre César
Cinematographer |
1999 | |||
|
Black Adder Back and Forth
Cinematographer |
1999 | |||
|
The Trench
Cinematographer, Director, Screenwriter |
1999 | |||
|
Paulie
Cinematographer |
1998 | |||
|
Something to Believe In
Cinematographer |
1998 | |||
|
Jungle 2 Jungle
Cinematographer |
1997 | |||
|
Surviving Picasso
Cinematographer |
1996 | |||
|
Copycat
Cinematographer |
1995 | |||
|
Haunted
Cinematographer |
1995 | |||
|
Disclosure
Cinematographer |
1994 | |||
|
The Client
Cinematographer |
1994 | |||
|
Splitting Heirs
Cinematographer |
1993 | |||
|
The Remains of the Day
Cinematographer |
1993 | |||
|
Howards End
Cinematographer |
1992 | |||
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The Dark Half
Cinematographer |
1991 | |||
|
White Fang
Cinematographer |
1991 | |||
|
Mr. and Mrs. Bridge
Cinematographer |
1990 | |||
|
No Place Like Home
Cinematographer |
1989 | |||
|
Out Cold
Cinematographer |
1989 | |||
|
Slaves of New York
Cinematographer |
1989 | |||
|
The Bourne Identity
Cinematographer |
1988 | |||
|
A Tiger's Tale
Cinematographer |
1987 | |||
|
A Room With a View
Cinematographer |
1986 | |||
|
A Private Function
Cinematographer |
1984 | |||
|
The Cold Room
Cinematographer |
1984 | |||
|
The Good Soldier
Cinematographer |
1983 | |||
|
Kipperbang
Cinematographer |
1982 | |||
|
Moonlighting
Cinematographer |
1982 | |||
|
Caught on a Train
Cinematographer |
1980 | |||
|
Tinker, Tailor, Soldier, Spy
Cinematographer |
1979 |
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