A stage manager for theatrical impresario David Belasco for more than three years and the producer in his own right of Belasco's famous The Girl of the Golden West, Thomas Hayes Hunter entered films in the very early 1910s with Biograph, Kalem, and Kleine, directing his wife, Millicent Evans, in such potboilers as Seats of the Mighty (1914) and Father and Son (1916). Helming a wide variety of melodramas, including the 1916 serial The Crimson Stain and the moralistic Earthbound (1920), Hunter left Hollywood in favor of Great Britain in 1927, where in 1934 he directed perhaps his most enduring film, the Boris Karloff Grand Guignol melodrama The Ghoul.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Josser on the Farm
Director, Producer |
1934 | |||
|
The Green Pack
Director |
1934 | |||
|
Warn London
Director |
1934 | |||
The Ghoul
Director |
1933 | |||
|
The Man They Couldn't Arrest
Director |
1933 | |||
|
White Face
Director |
1933 | |||
|
Bachelor's Folly
Director |
1932 | |||
|
Criminal at Large
Director |
1932 | |||
|
Sally Bishop
Director |
1932 | |||
|
The Calendar
Director |
1931 | |||
|
Silver King
Director |
1929 | |||
|
South Sea Bubble
Director |
1928 | |||
|
Triumph of the Scarlet Pimpernel
Director |
1928 | |||
|
One of the Best
Director |
1927 | |||
|
Wildfire
Director |
1925 | |||
|
Damaged Hearts
Director |
1924 | |||
|
The Recoil
Director |
1924 | |||
|
Trouping with Ellen
Director |
1924 | |||
|
Earthbound
Director |
1920 | |||
|
Once to Every Man
Director |
1918 | |||
|
Judy Forgot
Director |
1915 | |||
|
Fire and Sword
Director |
1914 | |||
|
The Seats of the Mighty
Director |
1914 |
