Active in films from 1931, American screenwriter Stuart Anthony started off writing formula westerns, including several of Paramount's Zane Grey "B" series. One of Anthony's rare contemporary efforts was Fox's Charlie Chan in Paris (1935). Back with the Paramount "B" unit in 1938, he wrote or co-wrote such above-average programmers as Tip Off Girls (1938) Prison Farm (1938), and, best of all, The Monster and the Girl (1941), which managed to successfully combine a traditional horror yarn with a "white slavery" plotline. One of his few "A" efforts under the Paramount banner was Shepherd of the Hills (1941), John Wayne's Technicolor debut. Stuart Anthony returned to westerns in the 1940s: his last known credit (which went un-credited on screen) was RKO's Nevada (1944), based on a Zane Grey novel he'd previously adapted for the screen in 1936.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Nevada
Screenwriter |
1944 | |||
|
Along the Rio Grande
Screenwriter |
1941 | |||
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The Monster and the Girl
Screenwriter |
1941 | |||
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The Shepherd of the Hills
Screenwriter |
1941 | |||
|
The Biscuit Eater
Screenwriter |
1940 | |||
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The Ranger and the Lady
Screenwriter |
1940 | |||
|
When the Daltons Rode
Screenwriter |
1940 | |||
|
Saga of Death Valley
Screenwriter |
1939 | |||
|
Tom Sawyer, Detective
Screenwriter |
1939 | |||
|
Highway Patrol
Screenwriter |
1938 | |||
|
Illegal Traffic
Screenwriter |
1938 | |||
|
Prison Farm
Screenwriter |
1938 | |||
|
Tip-Off Girls
Screenwriter |
1938 | |||
|
Forlorn River
Screenwriter |
1937 | |||
|
Hell Town
Screenwriter |
1937 | |||
|
Thunder Trail
Screenwriter |
1937 | |||
|
Arizona Mahoney
Screenwriter |
1936 | |||
|
Border Flight
Screenwriter |
1936 | |||
|
Burning Gold
Screen Story |
1936 | |||
|
Desert Gold
Screenwriter |
1936 | |||
|
Drift Fence
Screenwriter |
1936 | |||
|
Girl of the Ozarks
Screenwriter |
1936 | |||
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Nevada
Screenwriter |
1936 | |||
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Border Brigands
Screenwriter |
1935 | |||
|
Charlie Chan in Paris
Screenwriter |
1935 | |||
|
Motive for Revenge
Screenwriter |
1935 | |||
|
Mutiny Ahead
Screenwriter |
1935 | |||
|
Wanderer of the Wasteland
Screenwriter |
1935 | |||
|
Ever Since Eve
Screenwriter |
1934 | |||
|
Frontier Marshal
Screenwriter |
1934 | |||
|
Happy Landing
Screenwriter |
1934 | |||
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Pursued
Screenwriter |
1934 | |||
|
The Last Trail
Screenwriter |
1934 | |||
|
Life in the Raw
Screenwriter |
1933 | |||
|
Love Is Like That
Dialogue Writer, Screenwriter |
1933 | |||
|
Smoky
Screenwriter |
1933 | |||
|
State Trooper
Screenwriter |
1933 | |||
|
End of the Trail
Screenwriter |
1932 | |||
|
Fame Street
Screenwriter |
1932 | |||
|
McKenna of the Mounted
Screenwriter |
1932 | |||
|
Strangers of the Evening
Screenwriter |
1932 | |||
|
The Sin of Lena Rivers
Screenwriter |
1932 | |||
|
The Vanishing Frontier
Screenwriter |
1932 | |||
|
Whistlin' Dan
Screenwriter |
1932 | |||
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Border Law
Screenwriter |
1931 | |||
|
Desert Vengeance
Screenwriter |
1931 | |||
|
The Fighting Sheriff
Screenwriter |
1931 | |||
|
The Floating College
Screenwriter |
1928 |