Veteran cinematographer Sid Hickox kicked off his career at age twenty, as an assistant cameraman at New York's Biograph studios. A year later, Hickox was promoted to full director of photography on Gloria's Romance (1916), a serial starring Billie Burke. During World War I, he served as one of the chief photographers for the Navy Air Service. Back in Hollywood, Hickox joined the staff of First National Pictures. When that studio was absorbed by Warner Bros. in 1928, Hickox became a Warners employee, remaining so until his retirement in 1955. Sid Hickox's hundreds of film credits include The Last Flight (1931), A Slight Case of Murder (1938), Gentleman Jim (1942), Edgar of Darkness (1943), To Have and Have Not (1944), The Horn Blows at Midnight (1945), The Big Sleep (1945), Dark Passage (1947; a rare Hollywood example of the "first-person camera" technique), White Heat (1959), Them! (1954) and Battle Cry (1955).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Battle Cry
Cinematographer |
1955 | |||
|
Them!
Cinematographer |
1954 | |||
|
Blowing Wild
Cinematographer |
1953 | |||
|
The Winning Team
Cinematographer |
1952 | |||
|
Along the Great Divide
Cinematographer |
1951 | |||
|
Distant Drums
Cinematographer |
1951 | |||
|
Fort Worth
Cinematographer |
1951 | |||
|
Lightning Strikes Twice
Cinematographer |
1951 | |||
|
The Great Jewel Robber
Cinematographer |
1950 | |||
|
The West Point Story
Cinematographer |
1950 | |||
|
Three Secrets
Cinematographer |
1950 | |||
|
Colorado Territory
Cinematographer |
1949 | |||
|
White Heat
Cinematographer |
1949 | |||
|
Fighter Squadron
Cinematographer |
1948 | |||
|
One Sunday Afternoon
Cinematographer |
1948 | |||
|
Silver River
Cinematographer |
1948 | |||
|
Cheyenne
Cinematographer |
1947 | |||
|
Dark Passage
Cinematographer |
1947 | |||
|
The Big Sleep
Cinematographer |
1946 | |||
|
The Man I Love
Cinematographer |
1946 | |||
|
God Is My Co-Pilot
Cinematographer |
1945 | |||
|
The Big Sleep (1945 pre-release version)
Cinematographer |
1945 | |||
|
The Horn Blows at Midnight
Cinematographer |
1945 | |||
|
To Have and Have Not
Cinematographer |
1944 | |||
|
Uncertain Glory
Cinematographer |
1944 | |||
|
Edge of Darkness
Cinematographer |
1943 | |||
|
Northern Pursuit
Cinematographer |
1943 | |||
|
Always in My Heart
Cinematographer |
1942 | |||
|
Gentleman Jim
Cinematographer |
1942 | |||
|
The Big Shot
Cinematographer |
1942 | |||
|
All Through the Night
Cinematographer |
1941 | |||
|
Law of the Tropics
Cinematographer |
1941 | |||
|
The Wagons Roll at Night
Cinematographer |
1941 | |||
|
Thieves Fall Out
Cinematographer |
1941 | |||
|
Underground
Cinematographer |
1941 | |||
|
British Intelligence
Cinematographer |
1940 | |||
|
East of the River
Cinematographer |
1940 | |||
|
Flowing Gold
Cinematographer |
1940 | |||
|
King of the Lumberjacks
Cinematographer |
1940 | |||
|
Tear Gas Squad
Cinematographer |
1940 | |||
|
The Doctor Takes a Wife
Cinematographer |
1940 | |||
|
The Man Who Talked Too Much
Cinematographer |
1940 | |||
|
Blackwell's Island
Cinematographer |
1939 | |||
|
Everybody's Hobby
Cinematographer |
1939 | |||
|
Indianapolis Speedway
Cinematographer |
1939 | |||
|
King of the Underworld
Cinematographer |
1939 | |||
|
The Kid from Kokomo
Cinematographer |
1939 | |||
|
The Return of Doctor X
Cinematographer |
1939 | |||
|
Women in the Wind
Cinematographer |
1939 | |||
|
A Slight Case of Murder
Cinematographer |
1938 | |||
|
Men Are Such Fools
Cinematographer |
1938 | |||
|
My Bill
Cinematographer |
1938 | |||
|
Secrets of an Actress
Cinematographer |
1938 | |||
|
Women Are Like That
Cinematographer |
1938 | |||
|
Confession
Cinematographer |
1937 | |||
|
First Lady
Cinematographer |
1937 | |||
|
Missing Witnesses
Cinematographer |
1937 | |||
|
San Quentin
Cinematographer |
1937 | |||
|
Slim
Cinematographer |
1937 | |||
|
Stolen Holiday
Cinematographer |
1937 | |||
|
The Singing Marine
Cinematographer |
1937 | |||
|
Brides Are Like That
Cinematographer |
1936 | |||
|
Freshman Love
Cinematographer |
1936 | |||
|
Give Me Your Heart
Cinematographer |
1936 | |||
|
The Case of the Velvet Claws
Cinematographer |
1936 | |||
|
The Law in Her Hands
Cinematographer |
1936 | |||
|
Trailin' West
Cinematographer |
1936 | |||
|
Two Against the World
Cinematographer |
1936 | |||
|
Bright Lights
Cinematographer |
1935 | |||
|
I Am a Thief
Cinematographer |
1935 | |||
|
I Found Stella Parish
Cinematographer |
1935 | |||
|
Living on Velvet
Cinematographer |
1935 | |||
|
Special Agent
Cinematographer |
1935 | |||
|
Stranded
Cinematographer |
1935 | |||
|
The Goose and the Gander
Cinematographer |
1935 | |||
|
The Right to Live
Cinematographer |
1935 | |||
|
A Lost Lady
Cinematographer |
1934 | |||
|
Bedside
Cinematographer |
1934 | |||
|
Dames
Cinematographer |
1934 | |||
|
Heat Lightning
Cinematographer |
1934 | |||
|
I Sell Anything
Cinematographer |
1934 | |||
|
Registered Nurse
Cinematographer |
1934 | |||
|
Sensation Hunters
Cinematographer |
1934 | |||
|
The Big Shakedown
Cinematographer |
1934 | |||
|
The Circus Clown
Cinematographer |
1934 | |||
|
The St. Louis Kid
Cinematographer |
1934 | |||
|
Twenty Million Sweethearts
Cinematographer |
1934 | |||
|
Central Airport
Cinematographer |
1933 | |||
|
Female
Cinematographer |
1933 | |||
|
Frisco Jenny
Cinematographer |
1933 | |||
|
Grand Slam
Cinematographer |
1933 | |||
|
Lilly Turner
Cinematographer |
1933 | |||
|
Mary Stevens, M.D.
Cinematographer |
1933 | |||
|
The Avenger
Cinematographer |
1933 | |||
|
The Little Giant
Cinematographer |
1933 | |||
|
A Bill of Divorcement
Cinematographer |
1932 | |||
|
Central Park
Cinematographer |
1932 | |||
|
Love Is a Racket
Cinematographer |
1932 | |||
|
Pleasure
Cinematographer |
1932 | |||
|
So Big
Cinematographer |
1932 | |||
|
The Crowd Roars
Cinematographer |
1932 | |||
|
The Hatchet Man
Cinematographer |
1932 | |||
|
The Purchase Price
Cinematographer |
1932 | |||
|
Under Eighteen
Cinematographer |
1932 | |||
|
Blonde Crazy
Cinematographer |
1931 | |||
|
Broadminded
Cinematographer |
1931 | |||
|
Convicted
Cinematographer |
1931 | |||
|
Party Husband
Cinematographer |
1931 | |||
|
Safe in Hell
Cinematographer |
1931 | |||
|
The Gorilla
Cinematographer |
1931 | |||
|
The Last Flight
Cinematographer |
1931 | |||
|
The Naughty Flirt
Cinematographer |
1931 | |||
|
The Sea Ghost
Cinematographer |
1931 | |||
|
Too Young to Marry
Cinematographer |
1931 | |||
|
Strictly Modern
Cinematographer |
1930 | |||
|
Sweet Mama
Cinematographer |
1930 | |||
|
The Flirting Widow
Cinematographer |
1930 | |||
|
Those Who Dance
Cinematographer |
1930 | |||
|
Top Speed
Cinematographer |
1930 | |||
|
Footlights and Fools
Cinematographer |
1929 | |||
|
Hot Stuff
Cinematographer |
1929 | |||
|
Smiling Irish Eyes
Cinematographer |
1929 | |||
|
Synthetic Sin
Cinematographer |
1929 | |||
|
The Love Racket
Cinematographer |
1929 | |||
|
Two Weeks Off
Cinematographer |
1929 | |||
|
Why Be Good?
Cinematographer |
1929 | |||
|
Lilac Time
Cinematographer |
1928 | |||
|
Oh, Kay
Cinematographer |
1928 | |||
|
Private Life of Helen of Troy
Cinematographer |
1927 | |||
|
School Days
Cinematographer |
1921 |



















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