American cinematographer Robert Surtees began his career in 1927 as an assistant cameraman to Gregg Toland and others. He became a full-fledged lighting director in the 1940s and soon became one of Hollywood's most prominent cinematographers noted for his lush images and consistency. During his long career, Surtees won three Academy awards.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Same Time, Next Year
Cinematographer |
1978 | |||
Blood Brothers
Cinematographer |
1977 | |||
The Turning Point
Cinematographer |
1977 | |||
A Star Is Born
Cinematographer |
1976 | |||
The Great Waldo Pepper
Cinematographer |
1975 | |||
The Hindenburg
Cinematographer |
1975 | |||
Lost Horizon
Cinematographer |
1973 | |||
|
Oklahoma Crude
Cinematographer |
1973 | |||
The Sting
Cinematographer |
1973 | |||
The Cowboys
Cinematographer |
1972 | |||
The Other
Cinematographer |
1972 | |||
Summer of '42
Cinematographer |
1971 | |||
The Last Picture Show
Cinematographer |
1971 | |||
The Liberation of L.B. Jones
Cinematographer |
1970 | |||
Sweet Charity
Cinematographer |
1969 | |||
The Arrangement
Cinematographer |
1969 | |||
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Doctor Dolittle
Cinematographer |
1967 | |||
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The Graduate
Cinematographer |
1967 | |||
The Chase
Cinematographer |
1966 | |||
The Lost Command
Cinematographer |
1966 | |||
The Collector
Cinematographer |
1965 | |||
The Hallelujah Trail
Cinematographer |
1965 | |||
The Satan Bug
Cinematographer |
1965 | |||
The Third Day
Cinematographer |
1965 | |||
Kisses for My President
Cinematographer |
1964 | |||
PT 109
Cinematographer |
1963 | |||
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Mutiny on the Bounty
Cinematographer |
1962 | |||
Cimarron
Cinematographer |
1960 | |||
It Started in Naples
Cinematographer |
1960 | |||
Ben-Hur
Cinematographer |
1959 | |||
Merry Andrew
Cinematographer |
1958 | |||
The Law and Jake Wade
Cinematographer |
1958 | |||
Les Girls
Cinematographer |
1957 | |||
Raintree County
Cinematographer |
1957 | |||
The Swan
Cinematographer |
1956 | |||
Tribute to a Badman
Cinematographer |
1956 | |||
Oklahoma!
Cinematographer |
1955 | |||
|
Trial
Cinematographer |
1955 | |||
The Long, Long Trailer
Cinematographer |
1954 | |||
Valley of the Kings
Cinematographer |
1954 | |||
Escape from Fort Bravo
Cinematographer |
1953 | |||
Mogambo
Cinematographer |
1953 | |||
Ride, Vaquero!
Cinematographer |
1953 | |||
The Bad and the Beautiful
Cinematographer |
1952 | |||
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The Merry Widow
Cinematographer |
1952 | |||
The Wild North
Cinematographer |
1952 | |||
Quo Vadis?
Cinematographer |
1951 | |||
The Light Touch
Cinematographer |
1951 | |||
The Strip
Cinematographer |
1951 | |||
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King Solomon's Mines
Cinematographer |
1950 | |||
Act of Violence
Cinematographer |
1949 | |||
Big Jack
Cinematographer |
1949 | |||
Intruder in the Dust
Cinematographer |
1949 | |||
That Midnight Kiss
Cinematographer |
1949 | |||
A Date with Judy
Cinematographer |
1948 | |||
Tenth Avenue Angel
Cinematographer |
1948 | |||
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The Big City
Cinematographer |
1948 | |||
The Kissing Bandit
Cinematographer |
1948 | |||
The Unfinished Dance
Cinematographer |
1947 | |||
No Leave, No Love
Cinematographer |
1946 | |||
Two Sisters from Boston
Cinematographer |
1946 | |||
Our Vines Have Tender Grapes
Cinematographer |
1945 | |||
|
Strange Holiday
Cinematographer |
1945 | |||
Lost Angel
Cinematographer |
1944 | |||
Meet the People
Cinematographer |
1944 | |||
Music for Millions
Cinematographer |
1944 | |||
Thirty Seconds Over Tokyo
Cinematographer |
1944 | |||
Two Girls and a Sailor
Cinematographer |
1944 | |||
|
Election Daze
Cinematographer |
1943 |
