American cinematographer Robert Planck became a director of photography in 1929 and subsequently became noted for his exceptional work with black-and-white film. Planck filmed pictures for Fox and other major studios; throughout the '40s and '50s, Planck worked for MGM, where he was responsible for filming many of MGM's glittering productions in color and in black-and-white. He retired from cinema in 1957, and began working on the television series My Three Sons.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Jeanne Eagels
Cinematographer |
1957 | |||
|
The Girl Most Likely
Cinematographer |
1957 | |||
|
The Young Stranger
Cinematographer |
1957 | |||
|
Gaby
Cinematographer |
1956 | |||
|
Diane
Cinematographer |
1955 | |||
|
Moonfleet
Cinematographer |
1955 | |||
|
The King's Thief
Cinematographer |
1955 | |||
|
Athena
Cinematographer |
1954 | |||
|
Prisoner of War
Cinematographer |
1954 | |||
|
Rhapsody
Cinematographer |
1954 | |||
|
Lili
Cinematographer |
1953 | |||
|
Remains to Be Seen
Cinematographer |
1953 | |||
|
Scandal at Scourie
Cinematographer |
1953 | |||
|
Torch Song
Cinematographer |
1953 | |||
|
The Belle of New York
Cinematographer |
1952 | |||
|
Rich, Young and Pretty
Cinematographer |
1951 | |||
|
Royal Wedding
Cinematographer |
1951 | |||
|
Texas Carnival
Cinematographer |
1951 | |||
|
Please Believe Me
Cinematographer |
1950 | |||
|
Summer Stock
Cinematographer |
1950 | |||
|
Little Women
Cinematographer |
1949 | |||
|
Madame Bovary
Cinematographer |
1949 | |||
|
The Doctor and the Girl
Cinematographer |
1949 | |||
|
Luxury Liner
Cinematographer |
1948 | |||
|
The Three Musketeers
Cinematographer |
1948 | |||
|
Cass Timberlane
Cinematographer |
1947 | |||
|
It Happened in Brooklyn
Cinematographer |
1947 | |||
|
Love Laughs at Andy Hardy
Cinematographer |
1946 | |||
|
The Show-Off
Cinematographer |
1946 | |||
|
Up Goes Maisie
Cinematographer |
1946 | |||
|
Anchors Aweigh
Cinematographer |
1945 | |||
|
Weekend at the Waldorf
Cinematographer |
1945 | |||
|
Maisie Goes to Reno
Cinematographer |
1944 | |||
|
The Canterville Ghost
Cinematographer |
1944 | |||
|
Above Suspicion
Cinematographer |
1943 | |||
|
Girl Crazy
Cinematographer |
1943 | |||
|
The Heavenly Body
Cinematographer |
1943 | |||
|
Eyes in the Night
Cinematographer |
1942 | |||
|
Her Cardboard Lover
Cinematographer |
1942 | |||
|
Reunion in France
Cinematographer |
1942 | |||
|
Ship Ahoy
Cinematographer |
1942 | |||
|
We Were Dancing
Cinematographer |
1942 | |||
|
A Woman's Face
Cinematographer |
1941 | |||
|
When Ladies Meet
Cinematographer |
1941 | |||
|
Escape
Cinematographer |
1940 | |||
|
Strange Cargo
Cinematographer |
1940 | |||
|
Susan and God
Cinematographer |
1940 | |||
|
King of the Turf
Cinematographer |
1939 | |||
|
Life Returns
Cinematographer |
1939 | |||
|
The Man in the Iron Mask
Cinematographer |
1939 | |||
|
Always Goodbye
Cinematographer |
1938 | |||
|
Hold That Co-Ed
Cinematographer |
1938 | |||
|
Kentucky Moonshine
Cinematographer |
1938 | |||
|
The Duke of West Point
Cinematographer |
1938 | |||
|
Life Begins in College
Cinematographer |
1937 | |||
|
Love and Hisses
Cinematographer |
1937 | |||
|
That I May Live
Cinematographer |
1937 | |||
|
Thin Ice
Cinematographer |
1937 | |||
|
This is My Affair
Cinematographer |
1937 | |||
|
Time out for Romance
Cinematographer |
1937 | |||
|
We Who Are About to Die
Cinematographer |
1937 | |||
|
Woman-Wise
Cinematographer |
1937 | |||
|
Career Woman
Cinematographer |
1936 | |||
|
The Last of the Mohicans
Cinematographer |
1936 | |||
|
Let 'em Have It
Cinematographer |
1935 | |||
|
Red Salute
Cinematographer |
1935 | |||
|
Rendezvous at Midnight
Cinematographer |
1935 | |||
|
The Melody Lingers on
Cinematographer |
1935 | |||
|
The Secret of the Chateau
Cinematographer |
1935 | |||
|
Frontier Marshal
Cinematographer |
1934 | |||
|
Jane Eyre
Cinematographer |
1934 | |||
|
King Kelly of the USA
Cinematographer |
1934 | |||
|
Manhattan Love Song
Cinematographer |
1934 | |||
|
Money Means Nothing
Cinematographer |
1934 | |||
|
Our Daily Bread
Cinematographer |
1934 | |||
|
The Moonstone
Cinematographer |
1934 | |||
|
Broken Dreams
Cinematographer |
1933 | |||
|
It's Great to Be Alive
Cinematographer |
1933 | |||
|
Life in the Raw
Cinematographer |
1933 | |||
|
The Silver Lining
Cinematographer |
1932 | |||
|
Reaching for the Moon
Cinematographer |
1931 | |||
|
The Secret Witness
Cinematographer |
1931 | |||
|
Be Yourself
Cinematographer |
1930 | |||
|
The Bat Whispers
Cinematographer |
1930 | |||
|
Three Live Ghosts
Cinematographer |
1929 |








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