by Sandra Brennan
biography
American screenwriter Richard Breen began as a free-lance radio writer. After a stint in the Navy during WW II, he began screenwriting and worked alone and in collaboration with such distinguished writers as Billy Wilder and Charles Brackett. He won an Oscar for his work on the screenplay of Titanic (1953). In 1957, he directed one film Stopover Tokyo, and then returned to screenwriting.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Dragnet
Screenwriter |
1969 | |||
|
Tony Rome
Screenwriter |
1967 | |||
|
A Man Could Get Killed
Screenwriter |
1966 | |||
|
Do Not Disturb
Screenwriter |
1965 | |||
|
Captain Newman, M.D.
Screenwriter |
1963 | |||
|
Mary Mary
Screenwriter |
1963 | |||
|
PT 109
Screenwriter |
1963 | |||
|
State Fair
Screenwriter |
1962 | |||
|
Wake Me When It's Over
Screenwriter |
1960 | |||
|
The FBI Story
Screenwriter |
1959 | |||
|
Stopover Tokyo
Director, Screenwriter |
1957 | |||
|
Pete Kelly's Blues
Screenwriter |
1955 | |||
|
Seven Cities of Gold
Screenwriter |
1955 | |||
|
Dragnet
Screenwriter |
1954 | |||
|
Dragnet: The Big Little Jesus
Screenwriter |
1953 | |||
|
Titanic
Screenwriter |
1953 | |||
|
Niagara
Screenwriter |
1952 | |||
|
O. Henry's Full House
Screenwriter |
1952 | |||
|
Appointment with Danger
Screenwriter |
1951 | |||
|
The Mating Season
Screenwriter |
1951 | |||
|
The Model and the Marriage Broker
Screenwriter |
1951 | |||
|
Top o' the Morning
Screenwriter |
1949 | |||
|
A Foreign Affair
Screenwriter |
1948 | |||
|
Isn't It Romantic?
Screenwriter |
1948 | |||
|
Miss Tatlock's Millions
Screenwriter |
1948 | |||
|
State Fair
Screenwriter |
1945 |
