British writer/director Redd Davis was a graduate of the "quota quickie" school of filmmaking. Working for Real Art, a British subsidiary of Hollywood's RKO Radio, Davis ground out slapdash comedies starring the likes of Syd Crossley and Claude Allister in the early 1930s. His budgets improved as the '30s wore on, but he never completely divorced himself from low comedy. Redd Davis' later efforts include the Sid Field/Gus McNaughton laughspinner That's the Ticket (1940) and the "Ethel and Gracie" vehicle The Balloon Goes Up (1942).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Balloon Goes Up
Director |
1942 | |||
|
That's the Ticket
Director |
1940 | |||
|
Discoveries
Director, Screenwriter |
1939 | |||
|
Special Edition
Director, Producer |
1938 | |||
|
Bitter Bit
Director |
1937 | |||
|
Sing As You Swing
Director |
1937 | |||
|
Underneath the Arches
Director |
1937 | |||
|
Variety Hour
Director |
1937 | |||
|
Everything Okay
Director |
1936 | |||
|
Excuse My Glove
Director |
1936 | |||
|
King of the Castle
Director |
1936 | |||
|
Handle with Care
Director |
1935 | |||
|
Say It with Diamonds
Director, Producer |
1935 | |||
|
Easy Money
Director, Producer |
1934 | |||
|
Seeing Is Believing
Director |
1934 | |||
|
The Girl in the Flat
Director, Producer |
1934 | |||
|
Ask Beccles
Director |
1933 | |||
|
Excess Baggage
Director |
1933 | |||
|
The Medicine Man
Director |
1933 | |||
|
The Umbrella
Director |
1933 | |||
|
Here's George
Director |
1932 |
