Czech cinematographer Miroslav Ondricek polished his skills with the state-owned Documentary Film Studios. His first non-documentary work was with Czech director Milos Forman, notably Loves of a Blonde (1965), Intimate Lighting (1965), and The Fireman's Ball (1966). When Forman set up shop in the U.S. after the 1968 Russian invasion of Czechoslovakia, Ondricek followed suit, working with Forman on such American films as Hair (1979), Ragtime (1981), Amadeus (1984), and Valmont (1989). Miroslav Ondricek has also worked harmoniously with such directors as Lindsay Anderson (O Lucky Man [1971]), George Roy Hill (The World According to Garp [1982]), and Penny Marshall (Awakenings [1990]).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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The Preacher's Wife
Cinematographer |
1996 | |||
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Let It Be Me
Cinematographer |
1995 | |||
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A League of Their Own
Cinematographer |
1992 | |||
|
Awakenings
Cinematographer |
1990 | |||
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Valmont
Cinematographer |
1989 | |||
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Funny Farm
Cinematographer |
1988 | |||
|
Big Shots
Cinematographer |
1987 | |||
|
F/X
Cinematographer |
1986 | |||
|
Heaven Help Us
Cinematographer |
1985 | |||
|
Amadeus
Cinematographer |
1984 | |||
|
Bozska Ema
Cinematographer |
1983 | |||
|
Silkwood
Cinematographer |
1983 | |||
|
The World According to Garp
Cinematographer |
1982 | |||
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Ragtime
Cinematographer |
1981 | |||
|
Hair
Cinematographer |
1979 | |||
|
The Black Sun
Cinematographer |
1979 | |||
|
Jakub
Cinematographer |
1977 | |||
|
Zaklete Rewiry
Cinematographer |
1975 | |||
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O Lucky Man!
Cinematographer |
1973 | |||
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Slaughterhouse-Five
Cinematographer |
1972 | |||
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Taking Off
Cinematographer |
1971 | |||
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Le Corps De Diane
Cinematographer |
1969 | |||
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If...
Cinematographer |
1968 | |||
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Mucedníci Lásky
Cinematographer |
1967 | |||
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The Firemen's Ball
Cinematographer |
1967 | |||
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Intimni Osvetleni
Cinematographer |
1965 | |||
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Loves of a Blonde
Cinematographer |
1965 | |||
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Competition
Cinematographer |
1963 |