Cinematographer Michael Barrow (aka Michael F. Barrow) has worked in both feature film and television. He started out as a gaffer and then became a noted chief lighting technician. As a cinematographer, he photographed the final two and a half seasons of the HBO series The Days and Nights of Molly Dodd and then ventured into independent American films, including Heavy, which won a major award at the 1995 Sundance Film Festival. Other notable films include Sunday which won the Grand Prize at Sundance in 1997.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Who's the Top?
Cinematographer |
2005 | |||
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Human Error
Cinematographer |
2003 | |||
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In the Realms of the Unreal
Cinematographer |
2003 | |||
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Row Your Boat
Cinematographer |
2000 | |||
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The Pornographer (a love story)
Cinematographer |
2000 | |||
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The Young and the Dead
Cinematographer |
2000 | |||
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A Slipping-Down Life
Cinematographer |
1999 | |||
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Mambo Café
Cinematographer |
1999 | |||
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I Woke Up Early The Day I Died
Cinematographer |
1998 | |||
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Into My Heart
Cinematographer |
1998 | |||
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Whatever
Cinematographer |
1998 | |||
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Sunday
Cinematographer |
1997 | |||
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Tempête Dans Un Verre D'eau
Cinematographer |
1997 | |||
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Caught
Cinematographer |
1996 | |||
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Heavy
Cinematographer |
1995 | |||
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Wigstock: The Movie
Cinematographer |
1995 | |||
|
Me and Veronica
Cinematographer |
1992 |