A writer/actor/director on the legitimate stage and vaudeville, Melville W. Brown inaugurated his movie career as a performer in 1916. Within four years, Brown was directing comedy two-reelers and action films. He scripted two of the best silent efforts of director Clarence Brown (no relation), Smoldering Fires (1924) and The Goose Woman (1924). It was back to directing at RKO in 1929; his most famous (and least effective) effort at that studio was the Amos 'n' Andy vehicle Check and Double Check (1930). After several poverty-row quickies, Melville W. Brown headed to England in 1938 to helm his final picture, the musical oddity He Loved an Actress.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Stardust
Director |
1937 | |||
|
Head Office
Director |
1936 | |||
|
Champagne for Breakfast
Director |
1935 | |||
|
Forced Landing
Director |
1935 | |||
|
Lost in the Stratosphere
Director |
1935 | |||
|
The Nut Farm
Director |
1935 | |||
|
The Red Head
Director |
1934 | |||
|
Behind Office Doors
Director |
1931 | |||
|
Fanny Foley Herself
Director |
1931 | |||
|
White Shoulders
Director |
1931 | |||
|
Check and Double Check
Director |
1930 | |||
|
Lovin' the Ladies
Director |
1930 | |||
|
She's My Weakness
Director |
1930 | |||
|
Dance Hall
Director |
1929 | |||
|
Geraldine
Director |
1929 | |||
|
Jazz Heaven
Director |
1929 | |||
|
The Love Doctor
Director |
1929 | |||
|
13 Washington Square
Director |
1928 | |||
|
Buck Privates
Director |
1928 | |||
|
Red Lips
Director, Screenwriter |
1928 | |||
|
Fast and Furious
Director |
1927 | |||
|
Taxi Taxi
Director |
1927 | |||
|
Her Big Night
Director, Screenwriter |
1926 | |||
|
Poker Faces
Screenwriter |
1926 | |||
|
What Happened to Jones
Screenwriter |
1926 | |||
|
Smouldering Fires
Screenwriter |
1925 | |||
|
The Goose Woman
Screenwriter |
1925 | |||
|
The Rose of Paris
Screenwriter |
1924 | |||
|
The Pest
Screenwriter |
1919 |

