American cinematographer Lionel Lindon joined the film industry as a teenage lab assistant and was soon promoted to assistant director. In 1930, he began operating a camera and within 13 years had become a director of photography. He went on to shoot many fine films, primarily for Paramount. In 1956, he won an Oscar for his work on Around the World in 80 Days. He began working in television as well as film in the late 1950s and later won an Emmy for photographing Ritual of Evil (1970).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Columbo: Ransom for a Dead Man
Cinematographer |
1971 | |||
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Do You Take This Stranger?
Cinematographer |
1970 | |||
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The Movie Murderer
Cinematographer |
1970 | |||
|
Don't Push, I'll Charge When I'm Ready
Cinematographer |
1969 | |||
Generation
Cinematographer |
1969 | |||
Pendulum
Cinematographer |
1969 | |||
|
Ritual of Evil
Cinematographer |
1969 | |||
|
The Extraordinary Seaman
Cinematographer |
1969 | |||
|
Three Guns for Texas
Cinematographer, Screenwriter |
1968 | |||
Boy, Did I Get a Wrong Number!
Cinematographer |
1966 | |||
Dead Heat on a Merry-Go-Round
Cinematographer |
1966 | |||
Grand Prix
Cinematographer |
1966 | |||
The Meanest Men in the West
Cinematographer |
1966 | |||
The Trouble With Angels
Cinematographer |
1966 | |||
McHale's Navy Joins the Air Force
Cinematographer |
1965 | |||
|
See How They Run
Cinematographer |
1965 | |||
All Fall Down
Cinematographer |
1962 | |||
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The Manchurian Candidate
Cinematographer |
1962 | |||
The Young Savages
Cinematographer |
1961 | |||
Too Late Blues
Cinematographer |
1961 | |||
Alias Jesse James
Cinematographer |
1959 | |||
I Want to Live!
Cinematographer |
1958 | |||
|
Bail out at 43,000
Cinematographer |
1957 | |||
The Black Scorpion
Cinematographer |
1957 | |||
The Lonely Man
Cinematographer |
1957 | |||
Around the World in 80 Days
Cinematographer |
1956 | |||
|
The Scarlet Hour
Cinematographer |
1956 | |||
A Man Alone
Cinematographer |
1955 | |||
Conquest of Space
Cinematographer |
1955 | |||
|
Hell's Island
Cinematographer |
1955 | |||
|
Lucy Gallant
Cinematographer |
1955 | |||
Casanova's Big Night
Cinematographer |
1954 | |||
|
Jivaro
Cinematographer |
1954 | |||
|
Secret of the Incas
Cinematographer |
1954 | |||
Here Come the Girls
Cinematographer |
1953 | |||
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Jamaica Run
Cinematographer |
1953 | |||
|
Sangaree
Cinematographer |
1953 | |||
|
The Stars are Singing
Cinematographer |
1953 | |||
|
The Vanquished
Cinematographer |
1953 | |||
|
Those Redheads from Seattle
Cinematographer |
1953 | |||
|
Tropic Zone
Cinematographer |
1953 | |||
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Caribbean
Cinematographer |
1952 | |||
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Japanese War Bride
Cinematographer |
1952 | |||
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The Blazing Forest
Cinematographer |
1952 | |||
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The Turning Point
Cinematographer |
1952 | |||
Drums in the Deep South
Cinematographer |
1951 | |||
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Hong Kong
Cinematographer |
1951 | |||
Rhubarb
Cinematographer |
1951 | |||
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Submarine Command
Cinematographer |
1951 | |||
Destination Moon
Cinematographer |
1950 | |||
Only the Valiant
Cinematographer |
1950 | |||
Prehistoric Women
Cinematographer |
1950 | |||
Quicksand
Cinematographer |
1950 | |||
The Great Rupert
Cinematographer |
1950 | |||
The Sun Sets at Dawn
Cinematographer |
1950 | |||
|
Contact Man
Cinematographer |
1949 | |||
|
Top o' the Morning
Cinematographer |
1949 | |||
Without Honor
Cinematographer |
1949 | |||
|
Isn't It Romantic?
Cinematographer |
1948 | |||
|
Tap Roots
Cinematographer |
1948 | |||
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The Sainted Sisters
Cinematographer |
1948 | |||
My Favorite Brunette
Cinematographer |
1947 | |||
|
The Trouble with Women
Cinematographer |
1947 | |||
Variety Girl
Cinematographer |
1947 | |||
Welcome Stranger
Cinematographer |
1947 | |||
Monsieur Beaucaire
Cinematographer |
1946 | |||
O.S.S.
Cinematographer |
1946 | |||
Road to Utopia
Cinematographer |
1946 | |||
The Blue Dahlia
Cinematographer |
1946 | |||
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A Medal for Benny
Cinematographer |
1945 | |||
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Duffy's Tavern
Cinematographer |
1945 | |||
|
Masquerade in Mexico
Cinematographer |
1945 | |||
Going My Way
Cinematographer |
1944 | |||
|
Let's Face It
Cinematographer |
1943 |
