American screenwriter Kathryn Scola began her Hollywood career in 1931. While at Warner Bros., Scola worked on the notorious, censor-baiting Baby Face (1932). She moved briefly to Paramount, then in 1936 aligned herself with the newly formed 20th Century Fox. With rare exceptions like Warner Bros.' The Constant Nymph (1943), Kathryn Scola worked exclusively for Fox until 1945.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Night Unto Night
Screenwriter |
1949 | |||
Colonel Effingham's Raid
Screenwriter |
1945 | |||
The Constant Nymph
Screenwriter |
1943 | |||
|
The Happy Land
Screenwriter |
1943 | |||
|
The Lady From Cheyenne
Screenwriter |
1941 | |||
One Night in the Tropics
Screenwriter |
1940 | |||
|
The House Across the Bay
Screenwriter |
1940 | |||
|
Hotel for Women
Screen Story, Screenwriter |
1939 | |||
Alexander's Ragtime Band
Screenwriter |
1938 | |||
|
Always Goodbye
Screenwriter |
1938 | |||
|
The Baroness and the Butler
Screenwriter |
1938 | |||
Second Honeymoon
Screenwriter |
1937 | |||
|
Wife, Doctor and Nurse
Screenwriter |
1937 | |||
|
It Had to Happen
Screenwriter |
1936 | |||
|
One Hour Late
Screenwriter |
1935 | |||
|
The Glass Key
Screenwriter |
1935 | |||
|
A Lost Lady
Screenwriter |
1934 | |||
|
A Modern Hero
Screenwriter |
1934 | |||
Fashions of 1934
Screenwriter |
1934 | |||
|
Shadows of Sing Sing
Screen Story |
1934 | |||
The Merry Frinks
Screenwriter |
1934 | |||
Baby Face
Screenwriter |
1933 | |||
Female
Screenwriter |
1933 | |||
|
Lilly Turner
Screenwriter |
1933 | |||
|
Luxury Liner
Screenwriter |
1933 | |||
Midnight Mary
Screenwriter |
1933 | |||
Night After Night
Screenwriter |
1932 | |||
|
The Lady Who Dared
Screenwriter |
1931 | |||
|
Wicked
Screenwriter |
1931 | |||
|
One Night at Susie's
Screenwriter |
1930 |
