From 1933 until the outbreak of World War II, Briton John Gilling was steadily employed as a film editor. After serving with the Royal Navy, Gilling turned to scriptwriting, and in 1948 directed his first film, the Tod Slaughter melodrama The Greed of William Hart (1948). Evidently accepting whatever assignment came his way, Gilling invested as much creative energy in above-average suspensers like The Embezzler (1954) as he did in nonesuch like Old Mother Riley Meets a Vampire (1952). He was most closely associated with Hammer Studios, megging several of that firm's better horror efforts. Many aficionados consider 1967's Plague of the Zombies to be the director's finest work. Moving to Spain in 1970, John Gilling retired from filmmaking a few years later, preferring to channel his talents into painting.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
La Cruz Del Diablo
Director |
1975 | |||
|
Trog
Screen Story |
1970 | |||
|
The Mummy's Shroud
Director, Screenwriter |
1967 | |||
|
Night Caller from Outer Space
Director |
1966 | |||
|
Panic
Director, Screenwriter |
1966 | |||
|
The Plague of the Zombies
Director |
1966 | |||
|
The Reptile
Director |
1966 | |||
|
Where the Bullets Fly
Director |
1966 | |||
|
The Brigand of Kandahar
Director, Screenwriter |
1965 | |||
|
The Secret of Blood Island
Screenwriter |
1965 | |||
|
The Gorgon
Screenwriter |
1964 | |||
|
Fury at Smugglers Bay
Director, Producer, Screenwriter |
1963 | |||
|
The Crimson Blade
Director, Screenwriter |
1963 | |||
|
The Pirates of Blood River
Director, Screenwriter |
1962 | |||
|
The Shadow of the Cat
Director |
1961 | |||
|
It Takes a Thief
Director, Screenwriter |
1960 | |||
|
Killers of Kilimanjaro
Screenwriter |
1960 | |||
|
The Flesh and the Fiends
Director, Screenwriter |
1960 | |||
|
Idle on Parade
Director |
1959 | |||
|
The Bandit of Zhobe
Director, Screenwriter |
1959 | |||
|
Blind Spot
Screen Story |
1958 | |||
|
Cross-Up
Director, Screenwriter |
1958 | |||
|
The Man Inside
Director, Screenwriter |
1958 | |||
|
High Flight
Director |
1957 | |||
|
Pickup Alley
Director |
1957 | |||
|
Bond of Fear
Screenwriter |
1956 | |||
|
Odongo
Director, Screenwriter |
1956 | |||
|
The Gamma People
Director, Screenwriter |
1956 | |||
|
Tiger by the Tail
Director, Screenwriter |
1955 | |||
|
Windfall
Screenwriter |
1955 | |||
|
Destination Milan
Screenwriter |
1954 | |||
|
Double Exposure
Director, Screenwriter |
1954 | |||
|
Escape by Night
Director, Screenwriter |
1954 | |||
|
Profile
Screenwriter |
1954 | |||
|
The Embezzler
Director, Screenwriter |
1954 | |||
|
The Gilded Cage
Director |
1954 | |||
|
Deadly Nightshade
Director |
1953 | |||
|
Murder Will Out
Director, Screenwriter |
1953 | |||
|
The Big Frame
Screenwriter |
1953 | |||
|
The Steel Key
Screenwriter |
1953 | |||
|
White Fire
Director, Screenwriter |
1953 | |||
|
13 East Street
Screenwriter |
1952 | |||
|
Blind Man's Bluff
Screenwriter |
1952 | |||
|
King of the Underworld
Screenwriter |
1952 | |||
|
My Son, the Vampire
Director, Producer |
1952 | |||
|
Recoil
Director, Screenwriter |
1952 | |||
|
The Frightened Man
Director, Screenwriter |
1952 | |||
|
Whispering Smith vs. Scotland Yard
Screen Story |
1952 | |||
|
Wings of Danger
Screenwriter |
1952 | |||
|
Chelsea Story
Screenwriter |
1951 | |||
|
The Quiet Woman
Director, Screenwriter |
1951 | |||
|
Blackout
Screenwriter |
1950 | |||
|
Dark Interval
Screenwriter |
1950 | |||
|
Guilt Is My Shadow
Screenwriter |
1950 | |||
|
No Trace
Director |
1950 | |||
|
The Lady Craved Excitement
Screenwriter |
1950 | |||
|
The Man in Black
Screenwriter |
1950 | |||
|
The Rossiter Case
Screenwriter |
1950 | |||
|
A Matter of Murder
Director, Screenwriter |
1949 | |||
|
Room to Let
Screenwriter |
1949 | |||
|
The Man from Yesterday
Screenwriter |
1949 | |||
|
A Gunman Has Escaped
Screenwriter |
1948 | |||
|
Escape from Broadmoor
Director |
1948 | |||
|
House of Darkness
Screenwriter |
1948 | |||
|
The Greed of William Hart
Screenwriter |
1948 | |||
|
Black Memory
Screenwriter |
1947 |

