Producer John Daly stood behind many big and medium-budgeted independent films of the '80s and '90s and sustained a reputation as a successful risk-taker in a traditionally conservative Hollywood. Though considered a maverick by many moguls given his willingness to back films that the big studios wouldn't touch, Daly remained a savvy businessman with a sharp eye for moneymakers. Born in London in 1936, as the son of a cockney dockworker. Daly got his start working as a teaboy and later as a waiter in the Merchant Navy and as an insurance salesman. He met David Hemmings and the two founded the Hemdale Company in 1966, as a talent agency that repped bands including Black Sabbath and Yes. Daly's career focus shifted somewhat in 1971, however, when he purchased Hemmings's share of the business and used it to form his own production company, Hemdale Group Ltd; under Daly's aegis, it blossomed into one of the leading "indie" production and distribution houses in the UK. He demonstrated an astonishing, almost visionary skill as a moviemaker, and unveiled a predilection for standing behind directors in whom he believed - including Robert Altman (with the 1972 Images), Ken Russell (with the 1975 Tommy), Bernardo Bertolucci (with the 1987 Best Picture winner The Last Emperor) , James Cameron (with the 1984 Terminator),
and Oliver Stone (with the twin 1986 releases Salvador and Platoon, the latter also a Best Picture winner). The company occasionally issued excellent films that turned into box-office disappointments as well (witness the 1981 Cattle Annie and Little Britches), but these marked exceptions and not the rule; at the time of Daly's death, the press marked that he had overseen the production of more than 100 titles at Hemdale, grossing in excess of $1.5 billion - a whopping sum for an independent production house.
From the late 1980s into mid-1990s, Hemdale's output remained prolific, though in 1995 Orion purchased the studio (by then renamed Hemdale Communications) and its assets. Daly's filmmaking efforts continued, but witnessed him branching out into scriptwriting and directing in addition to producing; he held down all three roles on the romantic adventure/political drama The Petersburg-Cannes Express (2003) and the period psychological drama The Aryan Couple (2004), the latter starring Martin Landau. Couple - the tale of Jewish husband and wife servants posing as Aryans during the Nazi regime, who conceive of a plan to extinguish Eichmann and Himmler - received mediocre stateside reviews but did pick up a number of international festival awards. Sadly, this marked one of Daly's last major efforts and he died of cancer at age 71 in October of 2008.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
An American Affair
Executive Producer |
2009 | |||
|
The Heavy
Executive Producer |
2009 | |||
|
Love at First Kill
Director |
2008 | |||
|
Played
Executive Producer |
2006 | |||
|
Tournament of Dreams
Producer |
2005 | |||
|
Killer Weekend
Executive Producer, Screen Story |
2004 | |||
|
The Aryan Couple
Director, Producer, Screenwriter |
2004 | |||
|
The Petersburg-Cannes Express
Director, Producer, Screenwriter |
2003 | |||
|
Alec to the Rescue!
Executive Producer, Screenwriter |
1999 | |||
|
Goblins
Producer |
1992 | |||
|
Bright Angel
Executive Producer |
1991 | |||
|
Highway to Hell
Producer |
1991 | |||
|
Don't Tell Her It's Me
Executive Producer |
1990 | |||
|
Hidden Agenda
Producer |
1990 | |||
|
Chattahoochee
Producer |
1989 | |||
|
Criminal Law
Executive Producer |
1989 | |||
|
Miracle Mile
Co-producer |
1989 | |||
|
Out Cold
Executive Producer |
1989 | |||
|
Staying Together
Executive Producer |
1989 | |||
|
Vampire's Kiss
Producer |
1989 | |||
|
War Party
Co-producer |
1989 | |||
|
Blood Red
Producer |
1988 | |||
|
Buster
Producer |
1988 | |||
|
Shag
Executive Producer |
1988 | |||
|
The Boost
Executive Producer, Presented by, Producer |
1988 | |||
|
Best Seller
Executive Producer |
1987 | |||
|
Love at Stake
Executive Producer, Producer |
1987 | |||
|
Made in USA
Executive Producer, Producer |
1987 | |||
|
Scenes from the Goldmine
Executive Producer |
1987 | |||
|
At Close Range
Executive Producer |
1986 | |||
|
Hoosiers
Executive Producer, Producer |
1986 | |||
|
Platoon
Executive Producer |
1986 | |||
|
River's Edge
Executive Producer |
1986 | |||
|
Salvador
Producer |
1986 | |||
| 1985 | ||||
|
The Falcon and the Snowman
Producer |
1985 | |||
|
The Return of the Living Dead
Executive Producer, Producer |
1985 | |||
|
A Breed Apart
Producer |
1984 | |||
|
The Terminator
Executive Producer |
1984 | |||
|
Deadly Force
Executive Producer, Producer |
1983 | |||
|
Yellowbeard
Executive Producer |
1983 | |||
|
Carbon Copy
Producer |
1981 | |||
|
Cattle Annie and Little Britches
Producer |
1981 | |||
|
Going Ape!
Producer |
1981 | |||
|
High Risk
Producer |
1981 | |||
|
Strange Behavior
Executive Producer |
1981 | |||
|
Treasure of the Yankee Zephyr
Executive Producer |
1981 | |||
|
Turkey Shoot
Executive Producer |
1981 | |||
|
Border Cop
Executive Producer |
1979 | |||
|
Sunburn
Producer, Screenwriter |
1979 | |||
|
The Passage
Executive Producer, Producer |
1979 | |||
|
Valley of Blood
Producer |
1973 |