by Sandra Brennan
biography
British cinematographer John Alcott began his film career in the 1960s as a focus puller ( an assistant to the cameraman responsible for adjusting the lens when the camera is following action and for measuring distances between the camera and the subject in a traveling shot). By the 1970s Alcott had become a distinguished lighting director whose work is most notable on Clockwork Orange (1971), and Barry Lyndon (1975).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
No Way Out
Cinematographer |
1987 | |||
|
White Water Summer
Cinematographer |
1987 | |||
|
Miracles
Cinematographer |
1986 | |||
|
Baby: Secret of the Lost Legend
Cinematographer |
1985 | |||
|
Greystoke: The Legend of Tarzan, Lord of the Apes
Cinematographer |
1984 | |||
|
Triumphs of a Man Called Horse
Cinematographer |
1983 | |||
|
Under Fire
Cinematographer |
1983 | |||
|
The Beastmaster
Cinematographer |
1982 | |||
|
Vice Squad
Cinematographer |
1982 | |||
|
Fort Apache, the Bronx
Cinematographer |
1981 | |||
|
Terror Train
Cinematographer |
1980 | |||
|
The Shining
Cinematographer |
1980 | |||
|
Who Is Killing the Great Chefs of Europe?
Cinematographer |
1978 | |||
|
March or Die
Cinematographer |
1977 | |||
|
The Disappearance
Cinematographer |
1977 | |||
|
Barry Lyndon
Cinematographer |
1975 | |||
|
Overlord
Cinematographer |
1975 | |||
|
Little Malcolm and His Struggle Against the Eunuchs
Cinematographer |
1974 | |||
|
A Clockwork Orange
Cinematographer |
1971 |
