British composer John Addison has been working in film since the late 1940s. Addison is among the more prolific composers and is known for his familiarity with diverse musical genres ranging from light classical to brooding jazz.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
The Phantom of the Opera
Composer (Music Score) |
1990 | |||
Shadow on the Sun
Composer (Music Score) |
1988 | |||
|
Bride of Boogedy
Composer (Music Score) |
1987 | |||
|
Strange Voices
Composer (Music Score) |
1987 | |||
|
Amazing Stories: The Pumpkin Competition
Composer (Music Score) |
1986 | |||
Dead Man's Folly
Composer (Music Score) |
1986 | |||
|
Something in Common
Composer (Music Score) |
1986 | |||
Code Name: Emerald
Composer (Music Score) |
1985 | |||
Thirteen at Dinner
Composer (Music Score) |
1985 | |||
Grace Quigley
Composer (Music Score) |
1984 | |||
Ellis Island
Composer (Music Score) |
1983 | |||
Strange Invaders
Composer (Music Score) |
1983 | |||
|
Charles and Diana: A Royal Love Story
Composer (Music Score) |
1982 | |||
|
Eleanor: First Lady of the World
Composer (Music Score) |
1982 | |||
|
I Was a Mail Order Bride
Composer (Music Score) |
1982 | |||
|
Mistress of Paradise
Composer (Music Score) |
1981 | |||
|
Danger in the Skies
Composer (Music Score) |
1979 | |||
Highpoint
Composer (Music Score) |
1979 | |||
|
Like Normal People
Composer (Music Score) |
1979 | |||
Love's Savage Fury
Composer (Music Score) |
1979 | |||
|
The French Atlantic Affair
Composer (Music Score) |
1979 | |||
The Power Within
Composer (Music Score) |
1979 | |||
|
A Death in Canaan
Composer (Music Score) |
1978 | |||
Black Beauty, Part 1
Composer (Music Score) |
1978 | |||
|
Centennial
Composer (Music Score) |
1978 | |||
Pearl
Composer (Music Score) |
1978 | |||
The Bastard
Composer (Music Score) |
1978 | |||
A Bridge Too Far
Composer (Music Score) |
1977 | |||
Joseph Andrews
Composer (Music Score) |
1977 | |||
Swashbuckler
Composer (Music Score) |
1976 | |||
The Seven-Per-Cent Solution
Composer (Music Score) |
1976 | |||
Born to Run
Composer (Music Score) |
1975 | |||
Dead Cert
Composer (Music Score) |
1974 | |||
Luther
Composer (Music Score) |
1974 | |||
Sleuth
Composer (Music Score) |
1972 | |||
Cry of the Penguins
Composer (Music Score) |
1971 | |||
|
Brotherly Love
Composer (Music Score) |
1970 | |||
Start the Revolution Without Me
Composer (Music Score), Musical Direction/Supervision |
1970 | |||
The Charge of the Light Brigade
Composer (Music Score) |
1968 | |||
Smashing Time
Composer (Music Score) |
1967 | |||
The Honey Pot
Composer (Music Score) |
1967 | |||
A Fine Madness
Composer (Music Score) |
1966 | |||
|
The Uncle
Composer (Music Score) |
1966 | |||
Time Lost and Time Remembered
Composer (Music Score) |
1966 | |||
Torn Curtain
Composer (Music Score) |
1966 | |||
The Amorous Adventures of Moll Flanders
Composer (Music Score) |
1965 | |||
The Loved One
Composer (Music Score) |
1965 | |||
Girl With Green Eyes
Composer (Music Score), Musical Direction/Supervision |
1964 | |||
Guns at Batasi
Composer (Music Score), Musical Direction/Supervision |
1964 | |||
|
The Model Murder Case
Composer (Music Score), Musical Direction/Supervision |
1964 | |||
Tom Jones
Composer (Music Score), Musical Direction/Supervision |
1963 | |||
|
Go to Blazes
Composer (Music Score) |
1962 | |||
The Loneliness of the Long Distance Runner
Composer (Music Score) |
1962 | |||
|
A Taste of Honey
Composer (Music Score), Musical Direction/Supervision |
1961 | |||
|
His and Hers
Composer (Music Score) |
1961 | |||
|
A French Mistress
Composer (Music Score) |
1960 | |||
School for Scoundrels
Composer (Music Score), Screenwriter |
1960 | |||
The Entertainer
Composer (Music Score) |
1960 | |||
Carlton-Browne of the F.O.
Composer (Music Score) |
1959 | |||
|
I Was Monty's Double
Composer (Music Score), Musical Direction/Supervision |
1958 | |||
Look Back in Anger
Composer (Music Score), Musical Direction/Supervision |
1958 | |||
All at Sea
Composer (Music Score) |
1957 | |||
|
Lucky Jim
Composer (Music Score), Musical Direction/Supervision |
1957 | |||
|
The Shiralee
Composer (Music Score) |
1957 | |||
Three Men in a Boat
Composer (Music Score) |
1957 | |||
A Private's Progress
Composer (Music Score) |
1956 | |||
Reach for the Sky
Composer (Music Score) |
1956 | |||
|
Josephine and Men
Composer (Music Score) |
1955 | |||
|
One Good Turn
Composer (Music Score) |
1955 | |||
|
That Lady
Composer (Music Score), Musical Direction/Supervision |
1955 | |||
|
The Cockleshell Heroes
Composer (Music Score) |
1955 | |||
|
The Light Touch
Composer (Music Score) |
1955 | |||
|
Touch and Go
Composer (Music Score) |
1955 | |||
|
Make Me an Offer
Composer (Music Score) |
1954 | |||
|
The Black Knight
Composer (Music Score) |
1954 | |||
|
The End of the Road
Composer (Music Score) |
1954 | |||
The Maggie
Composer (Music Score) |
1954 | |||
|
Paratrooper
Composer (Music Score) |
1953 | |||
|
Terror on a Train
Composer (Music Score) |
1953 | |||
|
The Man Between
Composer (Music Score) |
1953 | |||
|
Time Gentlemen Please?
Composer (Music Score) |
1953 | |||
|
Brandy for the Parson
Composer (Music Score) |
1952 | |||
The Hour of Thirteen
Composer (Music Score), Musical Direction/Supervision |
1952 | |||
|
High Treason
Composer (Music Score) |
1951 | |||
|
Pool of London
Composer (Music Score) |
1951 | |||
The Light Touch
Composer (Music Score) |
1951 | |||
|
Seven Days to Noon
Composer (Music Score) |
1950 | |||
|
The Guinea Pig
Composer (Music Score) |
1948 |
