The camerawork of noted Swedish cinematographer Gunnar Fischer is noted for the ways in which he managed to blend, balance, or contrast black-and-white imagery to create the rich variety of textures, especially with outdoor scenes. He was best known for his collaborations with Ingmar Bergman on such films as The Seventh Seal (1956) and Wild Strawberries (1957). Fischer started out in 1935 as an assistant cameraman and seven years later he became a full-fledged lighting director. In 1960, he and Bergman had a major argument and parted ways.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Parade
Cinematographer |
1974 | |||
|
Made in Sweden
Cinematographer |
1969 | |||
|
Svarta Palmkronor
Cinematographer |
1968 | |||
|
Stimulantia
Cinematographer |
1967 | |||
|
Adamsson I Sverige
Cinematographer |
1966 | |||
|
491
Cinematographer |
1964 | |||
|
Kort Ar Sommaren
Cinematographer |
1962 | |||
|
Pojken I Tradet
Cinematographer |
1962 | |||
|
Two Living, One Dead
Cinematographer |
1961 | |||
|
The Devil's Eye
Cinematographer |
1960 | |||
|
Det Svanger Pa Slottet
Cinematographer |
1959 | |||
|
Ansiktet
Cinematographer |
1958 | |||
|
Lek Pa Regnabagen
Cinematographer |
1958 | |||
|
The Seventh Seal
Cinematographer |
1957 | |||
|
Wild Strawberries
Cinematographer |
1957 | |||
|
Smiles of a Summer Night
Cinematographer |
1955 | |||
|
Vi Tre Debutera
Cinematographer |
1953 | |||
|
Kvinnors Väntan
Cinematographer |
1952 | |||
|
Sommaren med Monika
Cinematographer |
1951 | |||
|
Sommarlek
Cinematographer |
1950 | |||
|
Sånt Händer Inte Här
Cinematographer |
1950 | |||
|
Soldat Bom
Cinematographer |
1949 | |||
|
Till Glädje
Cinematographer |
1949 | |||
|
Törst
Cinematographer |
1949 | |||
|
Hamnstad
Cinematographer |
1948 | |||
|
Tant Gron, Taunt Brun Och Tant Gredelin
Cinematographer |
1948 | |||
|
Krigsmans Erinran
Cinematographer |
1947 | |||
|
Tappa Inte Sugen
Cinematographer |
1947 |

