Distinguished Italian cinematographer Gianni Di Venanzo started out as a camera assistant during WWII and worked on several important neorealist films with such directors as Visconti, Rossellini, and De Sica. He became a full-fledged director of photography in the early '50s and became known for his ability to use lighting and camera techniques to strongly evoke a variety of moods. Though he worked with other great directors, including Fellini, Di Venanzo's best work can be seen in some of Michelangelo Antonioni's films of the '50s. Di Venanzo died while filming The Honey Pot at the age of 45.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Honey Pot
Cinematographer |
1967 | |||
|
Alta Infedeltà
Cinematographer |
1965 | |||
|
Il Momento della Verita
Cinematographer |
1965 | |||
|
Juliet of the Spirits
Cinematographer |
1965 | |||
|
Oggi, Domani e Dopodomani
Cinematographer |
1965 | |||
|
The 10th Victim
Cinematographer |
1965 | |||
|
... And Suddenly It's Murder!
Cinematographer |
1964 | |||
|
Gli Indifferenti
Cinematographer |
1964 | |||
|
La Ragazza di Bube
Cinematographer |
1964 | |||
|
8 1/2
Cinematographer |
1963 | |||
|
Le Mani Sulla Città
Cinematographer |
1963 | |||
|
Eva
Cinematographer |
1962 | |||
|
L'eclisse
Cinematographer |
1962 | |||
|
Salvatore Giuliano
Cinematographer |
1962 | |||
|
La Notte
Cinematographer |
1961 | |||
|
Vento Del Sud
Cinematographer |
1960 | |||
|
I Magliari
Cinematographer |
1959 | |||
|
Un Ettaro Di Cielo
Cinematographer |
1959 | |||
|
Big Deal on Madonna Street
Cinematographer |
1958 | |||
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La Loi C'est la Loi
Cinematographer |
1958 | |||
|
Il Grido
Cinematographer |
1957 | |||
|
Lo Scapolo
Cinematographer |
1956 | |||
|
Suor Letizia
Cinematographer |
1956 | |||
|
Gli Sbandati
Cinematographer |
1955 | |||
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Le Amiche
Cinematographer |
1955 | |||
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Cronache Di Poveri Amanti
Cinematographer |
1954 | |||
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L'Amore in Città
Cinematographer |
1953 | |||
|
Achtung! Banditi!
Cinematographer |
1951 | |||
|
La Beauté du Diable
Cinematographer |
1950 |