American cinematographer Fred Koenekamp is noted for his consistency and skill with color photography. His most notable work was done during the '60s and '70s. Koenekamp began in the film industry as a film loader at RKO in the late 1940s. It took him almost 20 years to become a full-fledged director of photography. He has frequently collaborated with director Franklin Schaffner. In 1974, he and Joseph Biroc shared an Oscar for their work on The Towering Inferno. He is no relation to silent film cinematographer H.F. Koenekamp.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Cinematographer Style
Participant |
2006 | |||
|
Flight of the Intruder
Cinematographer |
1990 | |||
|
Listen to Me
Cinematographer |
1989 | |||
|
Welcome Home
Cinematographer |
1989 | |||
|
14 Going on 30
Cinematographer |
1988 | |||
|
Double Switch
Cinematographer |
1987 | |||
|
Student Exchange
Cinematographer |
1987 | |||
|
The Return of the Shaggy Dog
Cinematographer |
1987 | |||
|
News at Eleven
Cinematographer |
1986 | |||
|
Pleasures
Cinematographer |
1986 | |||
|
Stewardess School
Cinematographer |
1986 | |||
|
The B.R.A.T. Patrol
Cinematographer |
1986 | |||
|
The Thanksgiving Promise
Cinematographer |
1986 | |||
|
Amos
Cinematographer |
1985 | |||
|
Not My Kid
Cinematographer |
1985 | |||
|
Stick
Cinematographer |
1985 | |||
|
The Other Lover
Cinematographer |
1985 | |||
|
City Killer
Cinematographer |
1984 | |||
|
Fast Forward
Cinematographer |
1984 | |||
|
Obsessive Love
Cinematographer |
1984 | |||
|
Summer Fantasy
Cinematographer |
1984 | |||
|
The Adventures of Buckaroo Banzai Across the 8th Dimension!
Cinematographer |
1984 | |||
|
Summer Girl
Cinematographer |
1983 | |||
|
The Return of the Man from U.N.C.L.E.
Cinematographer |
1983 | |||
|
Two of a Kind
Cinematographer |
1983 | |||
|
It Came from Hollywood
Cinematographer |
1982 | |||
|
Money on the Side
Cinematographer |
1982 | |||
|
Wrong Is Right
Cinematographer |
1982 | |||
|
Yes, Giorgio
Cinematographer |
1982 | |||
|
Carbon Copy
Cinematographer |
1981 | |||
|
First Monday in October
Cinematographer |
1981 | |||
|
First Family
Cinematographer |
1980 | |||
|
The Hunter
Cinematographer |
1980 | |||
|
When Time Ran Out
Cinematographer |
1980 | |||
|
Disaster on the Coastliner
Cinematographer |
1979 | |||
|
Love and Bullets
Cinematographer |
1979 | |||
|
Salvage
Cinematographer |
1979 | |||
|
The Amityville Horror
Cinematographer |
1979 | |||
|
The Champ
Cinematographer |
1979 | |||
|
The Swarm
Cinematographer |
1978 | |||
|
Fun with Dick and Jane
Cinematographer |
1977 | |||
|
Islands in the Stream
Cinematographer |
1977 | |||
|
The Bad News Bears in Breaking Training
Cinematographer |
1977 | |||
|
The Domino Principle
Cinematographer |
1977 | |||
|
The Other Side of Midnight
Cinematographer |
1977 | |||
|
Embryo
Cinematographer |
1976 | |||
|
Conspiracy of Terror
Cinematographer |
1975 | |||
|
Doc Savage: The Man of Bronze
Cinematographer |
1975 | |||
|
Posse
Cinematographer |
1975 | |||
|
The Runaway Barge
Cinematographer |
1975 | |||
|
The Wild McCullochs
Cinematographer |
1975 | |||
|
White Line Fever
Cinematographer |
1975 | |||
|
The Towering Inferno
Cinematographer |
1974 | |||
|
Uptown Saturday Night
Cinematographer |
1974 | |||
|
Harry in Your Pocket
Cinematographer |
1973 | |||
|
Papillon
Cinematographer |
1973 | |||
|
Kansas City Bomber
Cinematographer |
1972 | |||
|
Rage
Cinematographer |
1972 | |||
|
Stand up and Be Counted
Cinematographer |
1972 | |||
|
The Magnificent Seven Ride!
Cinematographer |
1972 | |||
|
Billy Jack
Cinematographer |
1971 | |||
|
Cross Current
Cinematographer |
1971 | |||
|
Happy Birthday, Wanda June
Cinematographer |
1971 | |||
|
Skin Game
Cinematographer |
1971 | |||
|
The Deadly Hunt
Cinematographer |
1971 | |||
|
Beyond the Valley of the Dolls
Cinematographer |
1970 | |||
|
Flap
Cinematographer |
1970 | |||
|
Foreign Exchange
Cinematographer |
1970 | |||
|
Night Chase
Cinematographer |
1970 | |||
|
Patton
Cinematographer |
1970 | |||
|
Heaven with a Gun
Cinematographer |
1969 | |||
|
The Great Bank Robbery
Cinematographer |
1969 | |||
|
Live a Little, Love A Little
Cinematographer |
1968 | |||
|
Shadow on the Land
Cinematographer |
1968 | |||
|
Sol Madrid
Cinematographer |
1968 | |||
|
Stay Away, Joe
Cinematographer |
1968 | |||
|
Doctor, You've Got to Be Kidding
Cinematographer |
1967 | |||
|
The Karate Killers
Cinematographer |
1967 | |||
|
One Spy Too Many
Cinematographer |
1966 | |||
|
One of Our Spies Is Missing
Cinematographer |
1966 | |||
|
The Spy in the Green Hat
Cinematographer |
1966 | |||
|
The Spy with My Face
Cinematographer |
1966 | |||
|
The Four Horsemen of the Apocalypse
Camera Operator |
1962 | |||
|
The Hook
Camera Operator |
1962 | |||
|
Watusi
Camera Operator |
1959 |

