British cinematographer Denys Coop started out in films as a camera assistant at age 16. He was a director of photography by 1962 and is especially noted for his facility with black and white film. Coop has worked on both British and American productions during the '60s and '70s. In 1978, he shared an Oscar for the visual special effects of Superman.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Venom
Cinematographer |
1982 | |||
Superman: The Movie
Special Effects |
1978 | |||
Inserts
Cinematographer |
1975 | |||
Rosebud
Cinematographer |
1975 | |||
And Now the Screaming Starts!
Cinematographer |
1973 | |||
The Vault of Horror
Cinematographer |
1973 | |||
Asylum
Cinematographer |
1972 | |||
|
The Darwin Adventure
Cinematographer |
1972 | |||
|
The Little Ark
Cinematographer |
1972 | |||
10 Rillington Place
Cinematographer |
1971 | |||
Ryan's Daughter
Cinematographer |
1970 | |||
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The Executioner
Cinematographer |
1970 | |||
My Side of the Mountain
Cinematographer |
1969 | |||
The Birthday Party
Cinematographer |
1968 | |||
The Double Man
Cinematographer |
1967 | |||
Drop Dead, Darling
Cinematographer |
1966 | |||
|
Traitor's Gate
Cinematographer |
1966 | |||
Bunny Lake Is Missing
Cinematographer |
1965 | |||
|
One Way Pendulum
Cinematographer |
1965 | |||
King and Country
Cinematographer |
1964 | |||
Billy Liar
Cinematographer |
1963 | |||
The Mind Benders
Cinematographer |
1963 | |||
This Sporting Life
Cinematographer |
1963 | |||
A Kind of Loving
Cinematographer |
1962 | |||
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Lolita
Camera Operator |
1962 | |||
Our Man in Havana
Camera Operator |
1960 | |||
Saint Joan
Camera Operator |
1957 | |||
|
The Forbidden Street
Cinematographer |
1949 | |||
The Third Man
Camera Operator |
1949 | |||
|
The Hangman Waits
Cinematographer |
1947 |
