English theatrical designer Charles D. Hall was brought to America by Charlie Chaplin in 1918. Hall handled art direction and/or production design of such Chaplin masterpieces as Shoulder Arms (1918), The Gold Rush (1925), The Circus (1928), City Lights (1931) and Modern Times (1936). Long associated with Universal Studios, Hall was primarily responsible for the "Hollywood Gothic" look of such Universal horror melodramas as Cat and the Canary (1927), Dracula (1931), Frankenstein (1931), The Old Dark House (1932) and Bride of Frankenstein (1935). Hall's credits are sometimes confused with those of comic actor Charlie Hall, especially during the years when both Halls were on the payroll of Hal Roach studios. While at Roach, Charles D. Hall received Oscar nominations for his work on Merrily We Live (1938) and Captain Fury (1939).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Gorilla at Large
First Assistant Director |
1954 | |||
|
Shield for Murder
Production Designer |
1954 | |||
|
Appointment in Honduras
Production Designer |
1953 | |||
|
Red Planet Mars
Production Designer |
1952 | |||
|
The Vicious Years
Art Director |
1950 | |||
|
The Streets of Sin
Art Director |
1949 | |||
|
That Nazty Nuisance
Art Director |
1943 | |||
|
Dudes Are Pretty People
Art Director |
1942 | |||
|
Hay Foot
Art Director |
1942 | |||
|
Tales of Manhattan
First Assistant Director |
1942 | |||
|
Road Show
Art Director |
1941 | |||
|
Tanks a Million
Art Director |
1941 | |||
|
A Chump at Oxford
Art Director |
1940 | |||
|
Captain Caution
Art Director |
1940 | |||
|
One Million B.C.
Art Director |
1940 | |||
|
Saps at Sea
Art Director |
1940 | |||
|
Captain Fury
Production Designer |
1939 | |||
|
The Housekeeper's Daughter
Art Director |
1939 | |||
|
Zenobia
Art Director |
1939 | |||
|
Merrily We Live
Production Designer |
1938 | |||
|
Swiss Miss
Art Director |
1938 | |||
|
There Goes My Heart
Art Director |
1938 | |||
|
Topper Takes a Trip
Art Director |
1938 | |||
|
The Road Back
Art Director |
1937 | |||
|
Modern Times
Production Designer |
1936 | |||
|
My Man Godfrey
Art Director |
1936 | |||
|
Next Time We Love
Art Director |
1936 | |||
|
Show Boat
Art Director |
1936 | |||
|
Diamond Jim
Art Director |
1935 | |||
|
The Bride of Frankenstein
Art Director |
1935 | |||
|
The Black Cat
Art Director |
1934 | |||
|
Counsellor-At-Law
Production Designer |
1933 | |||
|
Don't Bet on Love
Art Director |
1933 | |||
|
The Invisible Man
Art Director |
1933 | |||
|
The Old Dark House
Art Director |
1932 | |||
|
The Vampire Bat
Production Designer |
1932 | |||
|
City Lights
Art Director |
1931 | |||
|
Dracula
Art Director |
1931 | |||
|
Frankenstein
Art Director |
1931 | |||
|
Waterloo Bridge
Art Director |
1931 | |||
|
All Quiet on the Western Front
Art Director |
1930 | |||
|
Broadway
Art Director |
1929 | |||
|
Tarzan the Tiger [Serial]
Art Director |
1929 | |||
|
The Kid's Clever
Art Director |
1929 | |||
|
The Last Warning
Art Director |
1929 | |||
|
The Circus
Production Designer |
1928 | |||
|
Cheerful Fraud
Art Director |
1927 | |||
|
The Cat and the Canary
Production Designer, Set Designer |
1927 | |||
|
The Man Who Laughs
Art Director |
1927 | |||
|
The Cohens and Kellys
Art Director |
1926 | |||
|
The Gold Rush
Art Director |
1925 | |||
|
The Phantom of the Opera
Production Designer |
1925 | |||
|
The Pilgrim
Production Designer |
1923 | |||
|
Pay Day
Production Designer |
1922 | |||
|
The Idle Class
Production Designer |
1921 | |||
|
The Kid
Production Designer |
1921 | |||
|
A Day's Pleasure
Production Designer |
1919 | |||
|
Sunnyside
Production Designer |
1919 | |||
|
A Dog's Life
Production Designer |
1918 | |||
|
The Bond
Production Designer |
1918 | |||
|
Shoulder Arms
Production Designer |
1917 |
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