Like many movie pioneers, New York-born Arthur Edeson cut his professional teeth as a still photographer. His earliest film assignments were for the Eclair Company in 1911; seven years later, Edeson was one of the founders of the American Society of Cinematographers. When sound came in, Edeson seized the opportunity to experiment with camouflaging the microphones in exterior shots. In Old Arizona(1929) proved to a nervous Hollywood that talking pictures need not be confined to the stuffy surroundings of a sound stage. One year later, Edeson filmed one of the first major wide-screen features, The Big Trail (1930) (Lucien Andriot photographed the simultaneously filmed "flat" screen version). At Warner Bros. from 1936 until his retirement, Edeson was responsible for the cinematography of some of the studio's most memorable films, among them The Maltese Falcon (1941) Sergeant York (1941), and Casablanca (1942). Arthur Edeson was nominated for an Oscar for Casablanca, but he lost to fellow lensman Arthur Miller and The Song of Bernadette.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Fighting O'Flynn
Cinematographer |
1949 | |||
|
Two Guys from Texas
Cinematographer |
1948 | |||
|
My Wild Irish Rose
Cinematographer |
1947 | |||
|
Stallion Road
Cinematographer |
1947 | |||
|
Never Say Goodbye
Cinematographer |
1946 | |||
|
Nobody Lives Forever
Cinematographer |
1946 | |||
|
The Time, the Place and the Girl
Cinematographer |
1946 | |||
|
Three Strangers
Cinematographer |
1946 | |||
|
Two Guys from Milwaukee
Cinematographer |
1946 | |||
|
Shine On, Harvest Moon
Cinematographer |
1944 | |||
|
The Conspirators
Cinematographer |
1944 | |||
|
The Mask of Dimitrios
Cinematographer |
1944 | |||
|
Thank Your Lucky Stars
Cinematographer |
1943 | |||
|
Across the Pacific
Cinematographer |
1942 | |||
|
Casablanca
Cinematographer |
1942 | |||
|
The Male Animal
Cinematographer |
1942 | |||
|
Kisses for Breakfast
Cinematographer |
1941 | |||
|
Sergeant York
Cinematographer |
1941 | |||
|
The Maltese Falcon
Cinematographer |
1941 | |||
|
Castle on the Hudson
Cinematographer |
1940 | |||
|
The Lady with Red Hair
Cinematographer |
1940 | |||
|
They Drive by Night
Cinematographer |
1940 | |||
|
Tugboat Annie Sails Again
Cinematographer |
1940 | |||
|
Each Dawn I Die
Cinematographer |
1939 | |||
|
Kid Nightingale
Cinematographer |
1939 | |||
|
Nancy Drew, Reporter
Cinematographer |
1939 | |||
|
No Place to Go
Cinematographer |
1939 | |||
|
Sweepstakes Winner
Cinematographer |
1939 | |||
|
Wings of the Navy
Cinematographer |
1939 | |||
|
Mr. Chump
Cinematographer |
1938 | |||
|
Racket Busters
Cinematographer |
1938 | |||
|
Swing Your Lady
Cinematographer |
1938 | |||
|
The Cowboy from Brooklyn
Cinematographer |
1938 | |||
|
Mr. Dodd Takes the Air
Cinematographer |
1937 | |||
|
Submarine D-1
Cinematographer |
1937 | |||
|
The Footloose Heiress
Cinematographer |
1937 | |||
|
The Go-Getter
Cinematographer |
1937 | |||
|
The Kid Comes Back
Cinematographer |
1937 | |||
|
They Won't Forget
Cinematographer |
1937 | |||
|
China Clipper
Cinematographer |
1936 | |||
|
Gold Diggers of 1937
Cinematographer |
1936 | |||
|
Hot Money
Cinematographer |
1936 | |||
|
Satan Met a Lady
Cinematographer |
1936 | |||
|
The Golden Arrow
Cinematographer |
1936 | |||
|
Ceiling Zero
Cinematographer |
1935 | |||
|
Devil Dogs of the Air
Cinematographer |
1935 | |||
|
Dinky
Cinematographer |
1935 | |||
|
Maybe It's Love
Cinematographer |
1935 | |||
|
Mutiny on the Bounty
Cinematographer |
1935 | |||
|
While the Patient Slept
Cinematographer |
1935 | |||
|
Here Comes the Navy
Cinematographer |
1934 | |||
|
Palooka
Cinematographer |
1934 | |||
|
The Merry Frinks
Cinematographer |
1934 | |||
|
A Study in Scarlet
Cinematographer |
1933 | |||
|
His Double Life
Cinematographer |
1933 | |||
|
The Big Brain
Cinematographer |
1933 | |||
|
The Invisible Man
Cinematographer |
1933 | |||
|
The Life of Jimmy Dolan
Cinematographer |
1933 | |||
|
Fast Companions
Cinematographer |
1932 | |||
|
Flesh
Cinematographer |
1932 | |||
|
Strangers of the Evening
Cinematographer |
1932 | |||
|
The Impatient Maiden
Cinematographer |
1932 | |||
|
The Last Mile
Cinematographer |
1932 | |||
|
The Old Dark House
Cinematographer |
1932 | |||
|
Those We Love
Cinematographer |
1932 | |||
|
Doctors' Wives
Cinematographer |
1931 | |||
|
Frankenstein
Cinematographer |
1931 | |||
|
The Man Who Came Back
Cinematographer |
1931 | |||
|
Waterloo Bridge
Cinematographer |
1931 | |||
|
All Quiet on the Western Front
Cinematographer |
1930 | |||
|
The Big Trail
Cinematographer |
1930 | |||
|
Girls Gone Wild
Cinematographer |
1929 | |||
|
In Old Arizona
Cinematographer |
1929 | |||
|
Romance of the Rio Grande
Cinematographer |
1929 | |||
|
The Cock-Eyed World
Cinematographer |
1929 | |||
|
Me, Gangster
Cinematographer |
1928 | |||
|
Thief in the Dark
Cinematographer |
1928 | |||
|
The Dropkick
Cinematographer |
1927 | |||
|
The Gorilla
Cinematographer |
1927 | |||
|
The Patent Leather Kid
Cinematographer |
1927 | |||
|
Blue Eagle
Cinematographer |
1926 | |||
|
Girl From Coney Island
Cinematographer |
1926 | |||
|
Partners Again
Cinematographer |
1926 | |||
|
The Bat
Cinematographer |
1926 | |||
|
Her Sister from Paris
Cinematographer |
1925 | |||
|
Stella Dallas
Cinematographer |
1925 | |||
|
Talker
Cinematographer |
1925 | |||
|
The Lost World
Cinematographer |
1925 | |||
|
Waking up the Town
Cinematographer |
1925 | |||
|
Inez from Hollywood
Cinematographer |
1924 | |||
|
The Thief of Bagdad
Cinematographer |
1924 | |||
|
Robin Hood
Cinematographer |
1922 | |||
|
The Three Musketeers
Cinematographer |
1921 | |||
|
The Forbidden Woman
Cinematographer |
1920 | |||
|
Cheating Cheaters
Cinematographer |
1919 | |||
|
Eyes of Youth
Cinematographer |
1919 | |||
|
Jack Spurlock, Prodigal
Cinematographer |
1918 | |||
|
Baby Mine
Cinematographer |
1917 | |||
|
In Again-Out Again
Cinematographer |
1917 | |||
|
Nearly Married
Cinematographer |
1917 | |||
|
Thais
Cinematographer |
1917 | |||
|
Bought and Paid for
Cinematographer |
1916 | |||
|
The Gilded Cage
Cinematographer |
1916 |











