The son of playwright/theatrical director Bayard Veiller and actress Margaret Wycherly, Anthony Veiller received a liberal arts education at Ohio's Antioch College. After experience as a theater manager and film publicist, Veiller turned to screenwriting in 1932. Eight years later he became a producer at Paramount Pictures. He co-scripted a handful of the Why We Fight propaganda films of the 1940s, narrating the 1942 entry The Battle of Russia. From 1949 to 1952, he was a staff producer at Warner Bros. After the independently produced Red Planet Mars (1952), Veiller returned exclusively to screenwriting until his retirement in 1962; among his later credits were the John Huston efforts The List of Adrian Messenger (1963) and Night of the Iguana (1964). Anthony Veiller shared Best Adapted Screenplay Oscar nominations for Stage Door (1937) and The Killers (1946).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Night of the Iguana
Screenwriter |
1964 | |||
|
The List of Adrian Messenger
Screenwriter |
1963 | |||
|
Solomon and Sheba
Screenwriter |
1959 | |||
|
Timbuktu
Screenwriter |
1959 | |||
|
Monkey on My Back
Screenwriter |
1957 | |||
|
Safari
Screenwriter |
1956 | |||
|
That Lady
Screenwriter |
1955 | |||
|
Moulin Rouge
Screenwriter |
1952 | |||
|
Red Planet Mars
Actor, Producer, Screenwriter |
1952 | |||
|
Along the Great Divide
Producer |
1951 | |||
|
Force of Arms
Producer |
1951 | |||
|
Fort Worth
Producer |
1951 | |||
|
Backfire
Producer |
1950 | |||
|
Chain Lightning
Producer |
1950 | |||
|
Dallas
Producer |
1950 | |||
|
Colorado Territory
Producer |
1949 | |||
|
State of the Union
Associate Producer, Screenwriter |
1948 | |||
|
The Killers
Screenwriter |
1946 | |||
|
The Stranger
Screenwriter |
1946 | |||
|
Adventure
Screenwriter |
1945 | |||
|
Tunisian Victory
Voice |
1944 | |||
|
Assignment in Brittany
Screenwriter |
1943 | |||
|
The Battle of Russia
Commentary, Continuity, Voice |
1943 | |||
|
Her Cardboard Lover
Screenwriter |
1942 | |||
|
New York Town
Producer |
1941 | |||
|
Moon over Burma
Producer |
1940 | |||
|
Safari
Producer |
1940 | |||
|
The Quarterback
Producer |
1940 | |||
|
Typhoon
Producer |
1940 | |||
|
Victory
Producer |
1940 | |||
|
Disputed Passage
Screenwriter |
1939 | |||
|
Let Us Live
Screenwriter |
1939 | |||
|
They Shall Have Music
Screenwriter |
1939 | |||
|
Radio City Revels
Screenwriter |
1938 | |||
|
Stage Door
Screenwriter |
1937 | |||
|
The Soldier and the Lady
Screenwriter |
1937 | |||
|
A Woman Rebels
Screenwriter |
1936 | |||
|
The Ex-Mrs. Bradford
Screenwriter |
1936 | |||
|
The Lady Consents
Screenwriter |
1936 | |||
|
Winterset
Screenwriter |
1936 | |||
|
Break of Hearts
Screenwriter |
1935 | |||
|
Car 99
Producer |
1935 | |||
|
Jalna
Screenwriter |
1935 | |||
|
Seven Keys to Baldpate
Screenwriter |
1935 | |||
|
Star of Midnight
Screenwriter |
1935 | |||
|
Menace
Screenwriter |
1934 | |||
|
The Notorious Sophie Lang
Producer, Screenwriter |
1934 | |||
|
The Witching Hour
Producer, Screenwriter |
1934 | |||
|
Disgraced
Producer |
1933 | |||
|
The Woman Accused
Screenwriter |
1933 | |||
|
Arsene Lupin
Screenwriter |
1932 | |||
|
Breach of Promise
Screenwriter |
1932 | |||
|
Night Court
Screenwriter |
1932 | |||
|
Unashamed
Screenwriter |
1932 | |||
|
Guilty Hands
Screenwriter |
1931 | |||
|
Alias French Gertie
Screenwriter |
1930 | |||
|
The Acquittal
Screenwriter |
1923 | |||
|
Under the Red Robe
Screenwriter |
1923 | |||
|
The Right That Failed
Director |
1922 | |||
|
Sherlock Brown
Director |
1921 | |||
|
The Lure of Youth
Producer |
1921 | |||
|
The Marriage of William Ashe
Supervisor/Manager |
1921 |









