One of extravagant stage impresario Florenz Ziegfeld's less glorified girls, blonde, blue-eyed Diana Allen followed two seasons of the famous Follies and Ziegfeld's rather disastrous attempt at straight musical comedy, Miss 1917, with a leading role in Maurice Tourneur's allegorical Woman (1918). It was the beginning of a rather inauspicious film career mainly spent on Poverty Row. Never much of an actress, the Swedish-born, American-reared Allen was usually applauded for her beauty, although at least one eagle-eyed reviewer of 1920's Heliotrope recognized her as a an erstwhile "Follies" girl -- "a little past the school-girl age of the role assigned to her." She was rather more appropriately cast as the lead in Salome (1923), a quickie production made to compete with Alla Nazimova's famous starring vehicle of the same name. "Salome with bobbed hair and a Broadway glide!" sniggered Variety's Sime Silverman. It was Allen's final starring role and she left films the following year.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Roulette
Actor |
1924 | |||
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Strauss' Salome
Actor |
1923 | |||
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The Exciters
Actor |
1923 | |||
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Beauty Shop
Actor |
1922 | |||
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Beyond the Rainbow
Actor |
1922 | |||
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Amazing Lovers
Actor |
1921 | |||
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Conquest of Canaan
Actor |
1921 | |||
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The Kentuckians
Actor |
1921 | |||
|
The Way of a Maid
Actor |
1921 | |||
|
Wallingford
Actor |
1921 | |||
|
Voices
Actor |
1920 |