American screenwriter Allen Rivkin was steadily employed in Hollywood from 1932 to 1958. Hopscotching from Fox to Columbia to Warners to Republic and back again, Rivkin specialized in rapidly paced newspaper and crime yarns. During the early '40s, he scripted two of MGM's most celebrated B-pictures, Kid Glove Killer (1941) and Joe Smith American (1942). His later A-efforts included RKO's The Farmer's Daughter and Columbia's Dead Reckoning. One of the earliest organizers of the Screen Actors' Guild, the politically moderate Allen Rivkin decided he didn't care for the left-wing stance of many of his colleagues, making his opinions public in the early '50s when he headed the strongly anti-communist Motion Picture Industry Council.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Big Operator
Screenwriter |
1959 | |||
|
Girls on the Loose
Screenwriter |
1958 | |||
|
Live Fast, Die Young
Screenwriter |
1958 | |||
|
The Eternal Sea
Screenwriter |
1955 | |||
|
The Road to Denver
Screenwriter |
1955 | |||
|
Timberjack
Screenwriter |
1955 | |||
|
Prisoner of War
Screenwriter |
1954 | |||
|
Battle Circus
Screen Story |
1953 | |||
|
The Strip
Screenwriter |
1951 | |||
|
Gambling House
Screenwriter |
1950 | |||
|
Grounds for Marriage
Screenwriter |
1950 | |||
|
It's a Big Country
Screenwriter |
1950 | |||
|
My Dream Is Yours
Screenwriter |
1949 | |||
|
Tension
Screenwriter |
1949 | |||
|
Dead Reckoning
Screenwriter |
1947 | |||
|
The Farmer's Daughter
Screenwriter |
1947 | |||
|
The Guilt of Janet Ames
Screenwriter |
1947 | |||
|
The Thrill of Brazil
Screenwriter |
1946 | |||
|
Till the End of Time
Screenwriter |
1946 | |||
|
This Man's Navy
Screenwriter |
1945 | |||
|
Joe Smith, American
Screenwriter |
1942 | |||
|
Kid Glove Killer
Screenwriter |
1942 | |||
|
Sunday Punch
Screenwriter |
1942 | |||
|
Highway West
Screenwriter |
1941 | |||
|
Singapore Woman
Screenwriter |
1941 | |||
|
Dancing on a Dime
Screenwriter |
1940 | |||
|
Typhoon
Screenwriter |
1940 | |||
|
It Could Happen to You
Screenwriter |
1939 | |||
|
Let Us Live
Screenwriter |
1939 | |||
|
Straight, Place and Show
Screenwriter |
1938 | |||
|
Love under Fire
Screenwriter |
1937 | |||
|
This is My Affair
Screenwriter |
1937 | |||
|
Champagne Charlie
Screenwriter |
1936 | |||
|
Half Angel
Screenwriter |
1936 | |||
|
Bad Boy
Screenwriter |
1935 | |||
|
Black Sheep
Screenwriter |
1935 | |||
|
Our Little Girl
Screenwriter |
1935 | |||
|
Cheating Cheaters
Screenwriter |
1934 | |||
|
Dancing Lady
Screenwriter |
1933 | |||
|
Headline Shooter
Screenwriter |
1933 | |||
|
Meet the Baron
Screenwriter |
1933 | |||
|
Picture Snatcher
Screenwriter |
1933 | |||
|
The Girl in 419
Screenwriter |
1933 | |||
|
70,000 Witnesses
Screenwriter |
1932 | |||
|
Is My Face Red?
Play Author, Screen Story |
1932 | |||
|
Madison Square Garden
Screenwriter |
1932 | |||
|
Melody Cruise
Screenwriter |
1932 | |||
|
Night World
Screen Story |
1932 | |||
|
The Devil Is Driving
Screenwriter |
1932 |







